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Summer Festival 2024: Marsyas Trio

Part of the University of Leeds International Concert Summer Festival 2024

Add to my Calendar 28-06-2024 19:30 28-06-2024 21:30 36 Summer Festival 2024: Marsyas Trio In the short space of less than 100 years between 1770 and 1860, the piano underwent an astonishing evolution. Utilizing the cutting-edge technologies and manufacturing methods that became available thanks to the Industrial Revolution, Cristofori’s original 4-octave “gravicembalo col piano e forte” (harpsichord with soft and loud) quickly developed into the magnificent concert grand we know today – the instrument without which the history of Western classical music would be a different affair. In this concert, the Marsyas Trio (the FUAM Ensemble in Residence at the University of Leeds) celebrates the versatility of piano as a solo and chamber instrument and showcases its limitless expressive palette. The programme illuminates the piano’s crucial role as composers’ trusted companion in creating and disseminating larger orchestral works. By 1844 there were more than 9,000 arrangements of works in circulation including symphonies, concerti and operas. Known by Beethoven as ‘translations’, these orchestral works were often released simultaneously in several chamber ensemble versions, arranged by eminent composers of the day in consultation with the composers. Hummel and Clementi, both virtuoso pianists themselves, arranged most of Beethoven’s symphonies and many of Haydn and Mozart’s symphonies and concerti, one of which – Mozart’s dramatic and sublimely beautiful Piano Concerto in D minor K446 – takes centre stage in this programme. Clothworkers Centenary Concert Hall, Leeds DD/MM/YYYY

Details

Clothworkers Centenary Concert Hall
The School of Music
University of Leeds

Leeds
LS2 9JT
England


Programme

Fanny MendelssohnPiano Trio in D Minor, Op.11
Claude DebussyEstampes: 1, Pagodes
Johann Sebastian BachAdagio in E minor, BWV 914
Aleksandr ScriabinVers la Flamme, Op.72
Johann HummelAdagio, Variations and Rondo on a Russian Theme, Op.78
Wolfgang Amadeus MozartPiano Concerto no.20 in D minor, K.466

Performers

Helen Vidovich – flute
Valerie Welbanks – Cello
Olga Stezhko – piano
Christopher Jones – violin

Marsyas Trio

Other concerts in this Series (+)

Programme Note

In the short space of less than 100 years between 1770 and 1860, the piano underwent an astonishing evolution. Utilizing the cutting-edge technologies and manufacturing methods that became available thanks to the Industrial Revolution, Cristofori’s original 4-octave “gravicembalo col piano e forte” (harpsichord with soft and loud) quickly developed into the magnificent concert grand we know today – the instrument without which the history of Western classical music would be a different affair. In this concert, the Marsyas Trio (the FUAM Ensemble in Residence at the University of Leeds) celebrates the versatility of piano as a solo and chamber instrument and showcases its limitless expressive palette. The programme illuminates the piano’s crucial role as composers’ trusted companion in creating and disseminating larger orchestral works. By 1844 there were more than 9,000 arrangements of works in circulation including symphonies, concerti and operas. Known by Beethoven as ‘translations’, these orchestral works were often released simultaneously in several chamber ensemble versions, arranged by eminent composers of the day in consultation with the composers. Hummel and Clementi, both virtuoso pianists themselves, arranged most of Beethoven’s symphonies and many of Haydn and Mozart’s symphonies and concerti, one of which – Mozart’s dramatic and sublimely beautiful Piano Concerto in D minor K446 – takes centre stage in this programme.

Summer Festival 2024: Marsyas Trio

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