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Tallis Scholars

Part of the Dorchester Festival 2019

Add to my Calendar 11-05-2019 19:30 11-05-2019 21:30 36 Tallis Scholars The internationally acclaimed Tallis Scholars combine their perfect a capella sound with the fabulous Dorchester Abbey acoustics to make this the unmissable concert of the Dorchester Festival week. With over 2,000 concerts and a catalogue of award-winning recordings, Peter Phillips and The Tallis Scholars have done more than any other group to establish sacred vocal music of the Renaissance as one of the great repertoires of Western classical music. In Dorchester they will perform music from Eton and Byrd This is a programme which features English music written almost a century apart. The major change which prevented a smooth progression from the Eton Choirbook style of Lambe, Fawkyner and Fayrfax to Byrd, was the Reformation. This introduced the possibility of simpler English-language music, a style which Byrd used even in his Latin compositions, and which helps to explain the extraordinary taming of the earlier method, which had come about by Byrd’s maturity. Listen to the crazily dislocated ‘Amen’ of Fawkyner’s Gaude rosa and compare it with the calm logic of Byrd’s Mass for Five Voices. If there was a half-way point between the two eras, it can be heard in Fayrfax’s passionate Maria plena virtute, where ornateness and calm logic seem to meet and combine in a newly expressive language. Some of the rhythmically active phrases of Byrd’s Vigilate make use of that language too. Dorchester Abbey, Dorchester on Thames DD/MM/YYYY

Details

Dorchester Abbey
High Street
Dorchester on Thames
Oxfordshire
OX10 7HH
England


Programme

William ByrdLaetentur coeli
Walter LambeNesciens mater
William ByrdMass for 5 Voices
~ Interval ~
FawkynerGaude rosa
Robert FayrfaxMaria plena virtute
William ByrdVigilate

Performers

Tallis Scholars

Programme Note

The internationally acclaimed Tallis Scholars combine their perfect a capella sound with the fabulous Dorchester Abbey acoustics to make this the unmissable concert of the Dorchester Festival week.

With over 2,000 concerts and a catalogue of award-winning recordings, Peter Phillips and The Tallis Scholars have done more than any other group to establish sacred vocal music of the Renaissance as one of the great repertoires of Western classical music.

In Dorchester they will perform music from Eton and Byrd

This is a programme which features English music written almost a century apart. The major change which prevented a smooth progression from the Eton Choirbook style of Lambe, Fawkyner and Fayrfax to Byrd, was the Reformation. This introduced the possibility of simpler English-language music, a style which Byrd used even in his Latin compositions, and which helps to explain the extraordinary taming of the earlier method, which had come about by Byrd’s maturity. Listen to the crazily dislocated ‘Amen’ of Fawkyner’s Gaude rosa and compare it with the calm logic of Byrd’s Mass for Five Voices. If there was a half-way point between the two eras, it can be heard in Fayrfax’s passionate Maria plena virtute, where ornateness and calm logic seem to meet and combine in a newly expressive language. Some of the rhythmically active phrases of Byrd’s Vigilate make use of that language too.

The Tallis Scholars

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