Please note: This concert is in the past and has already taken place.

Daniel Rowland at Great Malvern Priory

Part of the ESO 2022 Season

Add to my Calendar 05-03-2022 19:30 05-03-2022 21:30 36 Daniel Rowland at Great Malvern Priory Following on from the success of Poulenc’s full-length ballet score, Les biches, commissioned by the legendary Sergei Diaghilev in 1923, the composer was fortunate to enjoy many well-paying commissions and fame as a result and one such opportunity was presented by the BBC in 1947 which went on to become his Sinfonietta. Although many musicologists have alluded to some ‘structural weaknesses’ within the work due to such contrasting styles, Poulenc’s complex emotional character is what gives this piece its dynamism and to quote the composer “don’t analyse my music – love it!”.  The story of Mozart’s final three symphonies is a remarkable one. He wrote all three pieces within the space of about nine weeks in 1788, as well as writing other works and simultaneously dealing with immense personal struggles. However, his Symphony No.40 is an iconic and instantly recognisable work that has been widely used in TV and film and possibly most frustratingly for classical music lovers, a catchy ringtone in the 1990s, and yet it’s power to draw the listener in is still as strong today as it was over 230 years ago. Sawyers’ Viola Concerto was written in 2020. The work was inspired by attending a recording session by fellow composer and friend David Matthews. The lovely playing of the viola part by Sarah-Jane Bradley set off some ideas for a viola concerto of his own and tonight this piece is brought to life by Daniel Rowland.  Great Malvern Priory, Malvern DD/MM/YYYY

Details

Great Malvern Priory
Church Street
Malvern
Worcestershire
WR14 2AY
England


Programme

Francis PoulencSinfonietta, FP 141
Philip SawyersViola Concerto
Wolfgang Amadeus MozartSymphony no.40 in G minor, K.550

Performers

Kenneth Woods – Conductor
Daniel Rowland – viola

English Symphony Orchestra

Other concerts in this Series (+)

Programme Note

Following on from the success of Poulenc’s full-length ballet score, Les biches, commissioned by the legendary Sergei Diaghilev in 1923, the composer was fortunate to enjoy many well-paying commissions and fame as a result and one such opportunity was presented by the BBC in 1947 which went on to become his Sinfonietta. Although many musicologists have alluded to some ‘structural weaknesses’ within the work due to such contrasting styles, Poulenc’s complex emotional character is what gives this piece its dynamism and to quote the composer “don’t analyse my music – love it!”. 

The story of Mozart’s final three symphonies is a remarkable one. He wrote all three pieces within the space of about nine weeks in 1788, as well as writing other works and simultaneously dealing with immense personal struggles. However, his Symphony No.40 is an iconic and instantly recognisable work that has been widely used in TV and film and possibly most frustratingly for classical music lovers, a catchy ringtone in the 1990s, and yet it’s power to draw the listener in is still as strong today as it was over 230 years ago.

Sawyers’ Viola Concerto was written in 2020. The work was inspired by attending a recording session by fellow composer and friend David Matthews. The lovely playing of the viola part by Sarah-Jane Bradley set off some ideas for a viola concerto of his own and tonight this piece is brought to life by Daniel Rowland. 

Daniel Rowland

Get a route map

Your Map

If you have any questions, please contact us using the form below, or send an e-mail to info@classicalevents.co.uk.

All form fields are required.

Please check your details and try again.

Thank you for contacting us. We will contact you regarding your enquiry as soon as possible.