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Portsmouth Baroque Choir - Music for Advent and Christmas

Add to my Calendar 07-12-2024 19:00 07-12-2024 21:00 36 Portsmouth Baroque Choir - Music for Advent and Christmas How lovely are the messengers that preach us the gospel of peace. To all the nations is gone forth the sound of their words… are transcendental lines from Epistle to the Romans that hold the key to our programme of Music for Advent and Christmas, combining messages about the Second Coming and celebration.  Those “messengers” were Paul and Barnabas who travelled together ca. 46-49 CE evangelising and making converts. Mendelssohn included that text in the second part of his oratorio St Paul (1836) since when How lovely are the messengers has become well-known and loved by church choirs as a standalone anthem. The Mendelssohn sits about halfway along the line of 430 festive seasons separating the earliest from the most recently-written music included in our programme. The Second Coming message is beautifully expressed in William Byrd’s ‘Laetantur Coeli’ (1589) that begins our concert. At the other end of our chronology, John Merrick’s setting of Carol Ann Duffy’s The Bee Carol (winner of the 2018 BBC Radio 3 Carol competition) makes a connection between the winter behaviour of bees (messengers of a kind) as they cluster around the queen that will sustain their existence, and the “trembling” light from stars that announced the holy birth.Drawing on the music of several nations, from England we celebrate the 150th anniversary of the birth of Gustav Holst with his arrangement Long ago, prophets knew, to a tune from Pie Cantiones (1592) and the carol Lullay my Liking. From Central and Eastern Europe we have Kodály’s popular arrangement of ‘O come, o come, Emmanuel’ (1943), Arvo Pärt’s swiftly rhythmic, King’s College commission Bogoroditsye Dyevo (1990) and the traditional Appalachian carol I wonder as I wander by Swiss composer Carl Rütti. Closer to home, we are delighted to conclude with music by the choir’s President Ian Schofield. He wrote Benedicamus Domino, a sequence of three carols, for Portsmouth Choral Union in 1997. The remainder of the programme draws on the 1999 Anthology Advent for Choirs, including Philip Ledger’s Adam lay ybounden, Stanford’s Benedictus in C and the anonymous 16th century anthem Rejoice in the Lord alway.The United Reformed Church in Havant has a warm and friendly interior with fine acoustics: with mulled wine and mince pies in the interval, and some audience participation in the music, this will be the perfect way to progress your festive season. Havant and Emsworth URC Church, Havant DD/MM/YYYY

Details

Havant and Emsworth URC Church
37 North Street
Havant
Hampshire
PO9 1PP
England


Programme

William ByrdLaetentur coeli
AnonymousRejoice in the Lord Alway
Michael PraetoriusEs ist ein Ros entsprungen
Gustav HolstLullay My Liking, Op.34 no.2
Ian SchofieldThere is no rose
Giovanni Pierluigi da PalestrinaFuit homo missus a Deo
Felix MendelssohnSt Paul, Op.36: How lovely are the messengers
Gustav HolstLong ago, prophets knew
Charles Villiers StanfordBenedictus in C
~ Interval ~
Zoltán KodályVeni, veni Emmanuel
Philip LedgerAdam lay ybounden
Carl RüttiI wonder as I wander
Arvo PärtBogoroditse Devo
Gustav HolstThis have I done for my true love, Op.34 no.1
John MerrickThe Bee Carol
Peter WarlockBenedicamus Domino
Ian SchofieldBenedicamus domino

Performers

Peter Gould – chamber organ
Malcolm Keeler – Conductor

Portsmouth Baroque Choir

Programme Note

How lovely are the messengers that preach us the gospel of peace. To all the nations is gone forth the sound of their words… are transcendental lines from Epistle to the Romans that hold the key to our programme of Music for Advent and Christmas, combining messages about the Second Coming and celebration. 

Those “messengers” were Paul and Barnabas who travelled together ca. 46-49 CE evangelising and making converts. Mendelssohn included that text in the second part of his oratorio St Paul (1836) since when How lovely are the messengers has become well-known and loved by church choirs as a standalone anthem.

The Mendelssohn sits about halfway along the line of 430 festive seasons separating the earliest from the most recently-written music included in our programme. The Second Coming message is beautifully expressed in William Byrd’s ‘Laetantur Coeli’ (1589) that begins our concert. At the other end of our chronology, John Merrick’s setting of Carol Ann Duffy’s The Bee Carol (winner of the 2018 BBC Radio 3 Carol competition) makes a connection between the winter behaviour of bees (messengers of a kind) as they cluster around the queen that will sustain their existence, and the “trembling” light from stars that announced the holy birth.

Drawing on the music of several nations, from England we celebrate the 150th anniversary of the birth of Gustav Holst with his arrangement Long ago, prophets knew, to a tune from Pie Cantiones (1592) and the carol Lullay my Liking. From Central and Eastern Europe we have Kodály’s popular arrangement of ‘O come, o come, Emmanuel’ (1943), Arvo Pärt’s swiftly rhythmic, King’s College commission Bogoroditsye Dyevo (1990) and the traditional Appalachian carol I wonder as I wander by Swiss composer Carl Rütti.

Closer to home, we are delighted to conclude with music by the choir’s President Ian Schofield. He wrote Benedicamus Domino, a sequence of three carols, for Portsmouth Choral Union in 1997.

The remainder of the programme draws on the 1999 Anthology Advent for Choirs, including Philip Ledger’s Adam lay ybounden, Stanford’s Benedictus in C and the anonymous 16th century anthem Rejoice in the Lord alway.

The United Reformed Church in Havant has a warm and friendly interior with fine acoustics: with mulled wine and mince pies in the interval, and some audience participation in the music, this will be the perfect way to progress your festive season.

Portsmouth Baroque Choir Advent concert

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