Please note: This concert is in the past and has already taken place.

Division-Musick

Divisions from Playford’s Division Violin, trebles and grounds originally for 2 lutes and arrangements of sacred vocal music

Part of the Old Chapel Court Concerts 2022 Cycle

Add to my Calendar 04-09-2022 15:30 04-09-2022 17:30 36 Division-Musick …...these solos and duos are performed with the heavenly mixture of aplomb and breeziness that is such a trademark of these musicians. The arrangements are intelligent, the playing crisp and inventive and it is difficult not to be swept away by the seductive charm of their sound.                                                       The Viol   Pellingmans’ Saraband are one of very few duos worldwide who are showcasing the unique sonorities of the lute with the viol, close cousins in the renaissance instrumental family tree. Their musical partnership goes back 30 years and over that time they’ve developed a keen understanding of how their instruments combine. With sensitivity and quiet virtuosity they present a varied programme including 16th and 17th century divisions upon ground basses, arrangements of vocal music and popular tunes which all create a vivid glimpse of how music was enjoyed in the home during the Tudor and Stuart periods. Old Baptist Chapel, Tewkesbury DD/MM/YYYY

Details

Old Baptist Chapel
Church Street
Tewkesbury
Gloucestershire
GL20 5RZ
England


Programme

Giovanni Battista DraghiItalian Ground
John JohnsonThe leaves be green

Performers

Susanna Pell – bass viol
Jacob Heringman – lute

Other concerts in this Series (+)

Programme Note

…...these solos and duos are performed with the heavenly mixture of aplomb and breeziness that is such a trademark of these musicians. The arrangements are intelligent, the playing crisp and inventive and it is difficult not to be swept away by the seductive charm of their sound.

                                                      The Viol

 

Pellingmans’ Saraband are one of very few duos worldwide who are showcasing the unique sonorities of the lute with the viol, close cousins in the renaissance instrumental family tree. Their musical partnership goes back 30 years and over that time they’ve developed a keen understanding of how their instruments combine. With sensitivity and quiet virtuosity they present a varied programme including 16th and 17th century divisions upon ground basses, arrangements of vocal music and popular tunes which all create a vivid glimpse of how music was enjoyed in the home during the Tudor and Stuart periods.

Pellingmans Saraband (credit Guy Carpenter)

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