Please note: This concert is in the past and has already taken place.

English Symphony Orchestra's New Year’s Day Virtual Concert Celebrates the Sounds of the ‘Jazz Age’.

A musical Journey from 1920s New Orleans to Paris, Vienna and Berlin, from the Speakeasy to the Burlesque to the Cabaret!

Add to my Calendar 31-12-2020 19:30 31-12-2020 21:30 36 English Symphony Orchestra's New Year’s Day Virtual Concert Celebrates the Sounds of the ‘Jazz Age’. Available FREE of charge for four daysand afterwards in the ESO Digital Archive One hundred years ago, the African-American music called Jazz exploded onto the international scene and changed the world forever.  Performed by the English Symphony Orchestra and filmed in period costume with atmospheric lighting, Conductor, Kenneth Woods, said; "As we prepare to celebrate the dawn of a New Year, the ESO is looking back 100 years to the wild musical terrain of the Jazz Age and to how a musical revolution, which started with Ragtime in Arkansas, took hold in Berlin, Vienna and Paris."  About the Composers and their music Eubie BlakeBlake was one of American music’s most enduring figures, contributing to the Ragtime revolution and the emergence of Jazz, his performing career spanned almost the entire 20th Century. Credited with coining the expression shortly after his 100th birthday “If I’d known I was gonna live this long, I would have taken better care of myself” - his Charleston Rag remains one of the cornerstones of American music. Jelly Roll MortonThe self-proclaimed ‘inventor of jazz’, New Orleans-born Jelly Roll Morton was a pianist of rare ability, a performer of supreme charisma, and a composer and arranger of genius. His 1925 composition ‘Black Bottom Stomp’ was a response to the “Black Bottom” dance craze that swept America in the ‘Roaring 20s’, given a bit of spice via Morton’s trademark ‘Spanish tinge’.   Erwin SchulhoffSchulhoff was one of the first European composers to embrace American music, and his Suite for Chamber Orchestra is a brilliant and witty romp with movement titles including ‘Shimmy’, ‘Tango’ and ‘Stomp’. Included in his large percussion section are a bicycle horn and a siren whistle. Ernst KrenekBy 1920, Krenek had already staked out a reputation as a modernist firebrand – married for a time to Mahler’s daughter and hailed by many as the heir to Schoenberg. But when he embraced Jazz in his opera ‘Jonny spielt auf’, he achieved a true succès de scandale, and the controversial opera would take Central Europe by storm, becoming the biggest hit of the 1920s before it was banned by Hitler in 1933. The English Symphony Orchestra made the first complete recording of Krenek’s concertante works for piano and orchestra (his four piano concertos, Concerto for Two Pianos, Double Concerto for Piano and Violin and Little Concerto for Organ and Chamber Orchestra) with pianist Mikhail Korzhev in 2016-7. Those recordings earned a string of international accolades, including being chosen as one of the Sunday Times Best Recordings of 2016 and one of Forbes Magazine’s Top 11 Recordings of 2017. Darius MilhaudMihaud looked further south for the inspiration for his surreal ballet, ‘Le boeuf sur le Toit’ (‘The Ox on the Roof’), borrowing extensively from the South American repertoire of bossa novas and tangos. He later re-worked the ballet into a stupendously virtuosic violin concerto, performed here by the ESO’s Leader, Zoë Beyers. Kenneth Woods, Artistic Director/Principal ConductorHailed by Gramophone Magazine as “a symphonic conductor of stature”, American conductor Kenneth Woods was appointed Artistic Director and Principal Conductor of the English Symphony Orchestra in 2013, and has quickly built up an impressive and acclaimed body of work with them. Woods is also Artistic Director of both the Colorado MahlerFest – the only US organisation other than the New York Philharmonic to receive the International Gustav Mahler Society’s Gold Medal – and the Elgar Festival in Worcester, England. Zoë Beyers, Leader/Violin SoloistSouth-African born Zoë Beyers has established a reputation as one of the finest violinists of her generation. She is based in the UK and performs as soloist, chamber musician, director and orchestral leader across the world. 2018’s BBC Proms saw Zoë lead the BBC Symphony Orchestra under Sakari Oramo and Karina Canellakis, the BBC Philharmonic under Juanjo Mena and give two performances of Stravinsky’s ‘L’Histoire du Soldat’ with the Hebrides Ensemble. In 2020, she also took on the role of Leader with the BBC Philharmonic, a position she holds currently with her role at the ESO. Since her solo debut aged eleven with the Swedish Chamber Orchestra under Paavo Järvi, she has performed as soloist with many distinguished conductors throughout Europe and Africa. Online Event, Monmouth DD/MM/YYYY

Details

Online Event
Wyastone Concert Hall
Wyastone Leys

Monmouth
Monmouthshire
NP25 3SR
Wales


Programme

Eubie BlakeCharleston Rag
Darius MilhaudLe boeuf sur le toit (The Ox on the Roof), Op.58
Ernst KrenekFantasie on 'Jonny spielt auf' (Jonny Played On)
Erwin SchulhoffSuite for Chamber Orchestra, Op.37
Jelly Roll MortonBlack Bottom Stomp

Performers

Kenneth Woods – Conductor
Zoe Beyers – violin

English Symphony Orchestra

Programme Note

Available FREE of charge for four days
and afterwards in the ESO Digital Archive

One hundred years ago, the African-American music called Jazz exploded onto the international scene and changed the world forever. 

Performed by the English Symphony Orchestra and filmed in period costume with atmospheric lighting, Conductor, Kenneth Woods, said; "As we prepare to celebrate the dawn of a New Year, the ESO is looking back 100 years to the wild musical terrain of the Jazz Age and to how a musical revolution, which started with Ragtime in Arkansas, took hold in Berlin, Vienna and Paris." 
 
About the Composers and their music
 
Eubie Blake
Blake was one of American music’s most enduring figures, contributing to the Ragtime revolution and the emergence of Jazz, his performing career spanned almost the entire 20th Century. Credited with coining the expression shortly after his 100th birthday “If I’d known I was gonna live this long, I would have taken better care of myself” - his Charleston Rag remains one of the cornerstones of American music.
 
Jelly Roll Morton
The self-proclaimed ‘inventor of jazz’, New Orleans-born Jelly Roll Morton was a pianist of rare ability, a performer of supreme charisma, and a composer and arranger of genius. His 1925 composition ‘Black Bottom Stomp’ was a response to the “Black Bottom” dance craze that swept America in the ‘Roaring 20s’, given a bit of spice via Morton’s trademark ‘Spanish tinge’.  
 
Erwin Schulhoff
Schulhoff was one of the first European composers to embrace American music, and his Suite for Chamber Orchestra is a brilliant and witty romp with movement titles including ‘Shimmy’, ‘Tango’ and ‘Stomp’. Included in his large percussion section are a bicycle horn and a siren whistle.
 
Ernst Krenek
By 1920, Krenek had already staked out a reputation as a modernist firebrand – married for a time to Mahler’s daughter and hailed by many as the heir to Schoenberg. But when he embraced Jazz in his opera ‘Jonny spielt auf’, he achieved a true succès de scandale, and the controversial opera would take Central Europe by storm, becoming the biggest hit of the 1920s before it was banned by Hitler in 1933. The English Symphony Orchestra made the first complete recording of Krenek’s concertante works for piano and orchestra (his four piano concertos, Concerto for Two Pianos, Double Concerto for Piano and Violin and Little Concerto for Organ and Chamber Orchestra) with pianist Mikhail Korzhev in 2016-7. Those recordings earned a string of international accolades, including being chosen as one of the Sunday Times Best Recordings of 2016 and one of Forbes Magazine’s Top 11 Recordings of 2017.
 
Darius Milhaud
Mihaud looked further south for the inspiration for his surreal ballet, ‘Le boeuf sur le Toit’ (‘The Ox on the Roof’), borrowing extensively from the South American repertoire of bossa novas and tangos. He later re-worked the ballet into a stupendously virtuosic violin concerto, performed here by the ESO’s Leader, Zoë Beyers.

Kenneth Woods, Artistic Director/Principal Conductor
Hailed by Gramophone Magazine as “a symphonic conductor of stature”, American conductor Kenneth Woods was appointed Artistic Director and Principal Conductor of the English Symphony Orchestra in 2013, and has quickly built up an impressive and acclaimed body of work with them. Woods is also Artistic Director of both the Colorado MahlerFest – the only US organisation other than the New York Philharmonic to receive the International Gustav Mahler Society’s Gold Medal – and the Elgar Festival in Worcester, England.

Zoë Beyers, Leader/Violin Soloist
South-African born Zoë Beyers has established a reputation as one of the finest violinists of her generation. She is based in the UK and performs as soloist, chamber musician, director and orchestral leader across the world. 2018’s BBC Proms saw Zoë lead the BBC Symphony Orchestra under Sakari Oramo and Karina Canellakis, the BBC Philharmonic under Juanjo Mena and give two performances of Stravinsky’s ‘L’Histoire du Soldat’ with the Hebrides Ensemble. In 2020, she also took on the role of Leader with the BBC Philharmonic, a position she holds currently with her role at the ESO. Since her solo debut aged eleven with the Swedish Chamber Orchestra under Paavo Järvi, she has performed as soloist with many distinguished conductors throughout Europe and Africa.

A section of the English Symphony Orchestra, led by Zoë Beyers

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