Boito: Mefistofele: A concert performance in Italian with English Surtitles at Queen Elizabeth Hall, London on Sunday 24th March 2019

Please note: This concert is in the past and has already taken place.

Boito: Mefistofele

A concert performance in Italian with English Surtitles

Add to my Calendar 24-03-2019 18:30 24-03-2019 20:30 36 Boito: Mefistofele Matthew Scott Rogers conducts the orchestra and chorus of Chelsea Opera Group in a rare concert performance of Boito's Mefistofele. Although now better known as the librettist of Verdi's Otello, Arrigo Boito was a fine composer in his own right. For his opera on Goethe's Faust he produced a string of beautiful arias and stirring choruses. He uses a large orchestra to conjure up heaven, hell and everything in between. Mefistofele differs greatly from Gounod’s Faust. Boito tries to convey more of Goethe’s original than just the romance of Faust and Margherita and includes also the Witches’ Sabbath in the Harz mountains and the Classical Sabbath at which Faust meets Helen of Troy. The opera is preceded by a magnificent choral Prologue set in heaven and ends with a short Epilogue depicting the death of Faust.  Queen Elizabeth Hall, London DD/MM/YYYY

Details

Queen Elizabeth Hall
Southbank Centre
Belvedere Rd
South Bank
London
SE1 8XX
England

Sunday 24th March 2019
6:30 PM

Programme

Arrigo Boito – Mefistofele

Performers

Matthew Scott-Thomas – Conductor
Vazgen Gazaryan – Bass
Pablo Bemsch – tenor
Elizabeth Llewellyn – soprano
Aaron Godfrey-Mayes – tenor
Angharad Lyddon – mezzo-soprano

Programme Note

Matthew Scott Rogers conducts the orchestra and chorus of Chelsea Opera Group in a rare concert performance of Boito's Mefistofele. Although now better known as the librettist of Verdi's Otello, Arrigo Boito was a fine composer in his own right. For his opera on Goethe's Faust he produced a string of beautiful arias and stirring choruses. He uses a large orchestra to conjure up heaven, hell and everything in between. Mefistofele differs greatly from Gounod’s Faust. Boito tries to convey more of Goethe’s original than just the romance of Faust and Margherita and includes also the Witches’ Sabbath in the Harz mountains and the Classical Sabbath at which Faust meets Helen of Troy. The opera is preceded by a magnificent choral Prologue set in heaven and ends with a short Epilogue depicting the death of Faust.

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