Mozart's Requiem and Bach's Magnificat at Salisbury Cathedral, Salisbury on Saturday 21st June 2025

Please note: This concert is in the past and has already taken place.

Mozart's Requiem and Bach's Magnificat

Add to my Calendar 21-06-2025 19:30 21-06-2025 21:30 36 Mozart's Requiem and Bach's Magnificat Mozart’s Requiem is undoubtedly one of the most outstanding and poignant choral works ever written. It was commissioned by a mysterious nobleman in 1791; however, the count’s plans to pass the work off as his own were to be thwarted by fate when Mozart died, aged 35, leaving the Requiem incomplete. After his death the instrumentation of the Kyrie was supplied by Freystädtler with trumpet and drum parts by Süssmayr who also added three more movements to bring the work to an effective conclusion. From the very opening we are plunged into a dark and sombre world, yet one with moments of thrilling drama and serene beauty. Mozart used the woodwind section to convey a keen sadness, and the brass and timpani for the more forceful sections.   Bach's exuberant Magnificat was first performed in St Nicholas’s Church, Leipzig, at Christmas in 1723, shortly after he moved there. Some six or more years later he reworked the piece and removed the four interpolated Christmas movements that had been included in the original version. This left a splendid setting of the Latin Magnificat, Mary’s song of thanksgiving after the vision of the angel announcing the birth of Jesus, as described in St Luke’s Gospel, Chapter 1. Salisbury Cathedral, Salisbury DD/MM/YYYY

Details

Salisbury Cathedral
33 The Close
Salisbury
Wiltshire
SP1 2EJ
England

Saturday 21st June 2025
7:30 PM

Programme

Wolfgang Amadeus Mozart – Requiem in D minor, K.626
~ Interval ~
Johann Sebastian Bach – Magnificat in D major, BWV 243

Performers

John Challenger – Conductor
Rebecca Hardwick – soprano
Jessica Gillingwater – mezzo-soprano
Michael Bell – tenor
James Geidt – baritone

Salisbury Musical Society

Programme Note

Mozart’s Requiem is undoubtedly one of the most outstanding and poignant choral works ever written. It was commissioned by a mysterious nobleman in 1791; however, the count’s plans to pass the work off as his own were to be thwarted by fate when Mozart died, aged 35, leaving the Requiem incomplete. After his death the instrumentation of the Kyrie was supplied by Freystädtler with trumpet and drum parts by Süssmayr who also added three more movements to bring the work to an effective conclusion. From the very opening we are plunged into a dark and sombre world, yet one with moments of thrilling drama and serene beauty. Mozart used the woodwind section to convey a keen sadness, and the brass and timpani for the more forceful sections.

Bach's exuberant Magnificat was first performed in St Nicholas’s Church, Leipzig, at Christmas in 1723, shortly after he moved there. Some six or more years later he reworked the piece and removed the four interpolated Christmas movements that had been included in the original version. This left a splendid setting of the Latin Magnificat, Mary’s song of thanksgiving after the vision of the angel announcing the birth of Jesus, as described in St Luke’s Gospel, Chapter 1.

Salisbury Musical Society performing in Salisbury Cathedral

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