Please note: This concert is in the past and has already taken place.

The Spring Concert

Music with a Russian Theme

Add to my Calendar 28-03-2020 19:30 28-03-2020 21:30 36 The Spring Concert Tchaikovsky's Marche Slave was commissioned by the Slavonic Charity Committee in order to support the army in the war against the Turks. The piece is a compilation of Serbian folk songs and for its climax Tchaikovsky cleverly introduces the  National Anthem of Imperial Russia, 'God Save the Tsar', prophesying the triumph of the Slavonic people over tyranny., Dvořák's Slavonic Dances Op 46 were inspired by Johannes Brahms’s own Hungarian Dances and were orchestrated at the request of Dvořák’s publisher soon after composition. The pieces, lively and overtly nationalistic, were well received at the time and today are among the composer’s most memorable works, occasionally making appearances in popular culture. We will be performing dances 1,2,7 and 8.  Shostakovich's Piano Concerto was dedicated to his son Maxim, when he was preparing to enter the Conservatoire. At the premiere on 10th May 1957 Shostakovich complained that the piece had no musical value but the critics loved it and defined the work as having charming simplicity, carefree spirit and lyrical warmth. It has a joke included in the last movement: the scales and the thematic material are similar to the loathed studies by Hanon that most pianists had to go through. Shostakovich transforms the boring scales into a masterful movement with flair, irony and a great sense of humour.        Into his 5th Symphony Tchaikovsky poured his purest and highest qualities as a composer. He dedicated the work to the elderly German teacher Theodor Avé-Lallement. The latter tried to convince Tchaikovsky to settle in Germany so he could overcome his "shortcomings as a composer". Tchaikovsky returned his compliment with this work that has it all - drama, poetry, sadness, fire, childish bursts of joy and maturity. The piece is perfect in every way and a stunning finale for this concert. Southernhay United Reformed Church, Exeter DD/MM/YYYY

Details

Southernhay United Reformed Church
Dix's Field
Exeter
Devon
EX1 1QA
England


Programme

Pyotr TchaikovskyMarche Slave, Op.31
Antonin DvorakSlavonic Dances, Op.46
Dmitry ShostakovichPiano Concerto no.2 in F major, Op.102
~ Interval ~
Pyotr TchaikovskySymphony no.5 in E minor, Op.64

Performers

Giulio Potenza – piano
Arturo Serna – Conductor

Exeter Symphony Orchestra

Programme Note

Tchaikovsky's Marche Slave was commissioned by the Slavonic Charity Committee in order to support the army in the war against the Turks. The piece is a compilation of Serbian folk songs and for its climax Tchaikovsky cleverly introduces the  National Anthem of Imperial Russia, 'God Save the Tsar', prophesying the triumph of the Slavonic people over tyranny.
,

Dvořák's Slavonic Dances Op 46 were inspired by Johannes Brahms’s own Hungarian Dances and were orchestrated at the request of Dvořák’s publisher soon after composition. The pieces, lively and overtly nationalistic, were well received at the time and today are among the composer’s most memorable works, occasionally making appearances in popular culture. We will be performing dances 1,2,7 and 8.
 

Shostakovich's Piano Concerto was dedicated to his son Maxim, when he was preparing to enter the Conservatoire. At the premiere on 10th May 1957 Shostakovich complained that the piece had no musical value but the critics loved it and defined the work as having charming simplicity, carefree spirit and lyrical warmth. It has a joke included in the last movement: the scales and the thematic material are similar to the loathed studies by Hanon that most pianists had to go through. Shostakovich transforms the boring scales into a masterful movement with flair, irony and a great sense of humour.      

 Into his 5th Symphony Tchaikovsky poured his purest and highest qualities as a composer. He dedicated the work to the elderly German teacher Theodor Avé-Lallement. The latter tried to convince Tchaikovsky to settle in Germany so he could overcome his "shortcomings as a composer". Tchaikovsky returned his compliment with this work that has it all - drama, poetry, sadness, fire, childish bursts of joy and maturity. The piece is perfect in every way and a stunning finale for this concert.

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