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Details
St Andrew Holborn
5 St Andrew Street
City of London
London
EC4A 3AB
England
Programme
Thomas Tomkins – Adieu, Ye City-Pris'ning Towers
Thomas Weelkes – Thule, the Period of Cosmography
John Ward – Come, Sable Night
Claudio Monteverdi – Lamento d'Arianna, SV 22
Heinrich Schütz – Dunque addio, care selve
Melchior Franck – Meine Schwester, liebe Braut
William Cornysh – Woefully arrayed
Claudio Monteverdi – Missa a 4, SV 190
Performers
Peter Foggitt – Director
Carina Drury – Cello
Orlando Chamber Choir
Programme Note
Orlando Chamber Choir’s voices reach out for the exotic, the distant and the barely-possible…
Centrepiece of the programme is Monteverdi's remarkable setting of Ariadne's lament, a masterpiece of psychological drama and a composition as legendary as the events it depicts. Having slain the mythical Minotaur, Ariadne and her lover Theseus rush back to Athens via the island of Naxos where, in the dark of night, Theseus abandons love for power and leaves Ariadne behind. She discovers his betrayal in the morning and, standing on the beach overlooking the empty ocean, laments his departure – before Cupid, Venus and Jupiter intervene to arrange her wedding to Bacchus, with immortality and a crown of stars for consolation.
British composers, too, wrote about extraordinary excursions to distant lands, although perhaps more metaphorically. Engaging in virtuosic word-painting unparalleled in the English repertoire, Weelkes observes that the wildness of the unknown is easily matched by the complexities of the human heart – which are explored further in compositions by Tomkins and Ward.
We vocally visit quieter scenes as well. Schütz takes us on a trip beyond time’s horizon, describing how a dying soul finds solace in cool shaded woods, and Melchior Franck imagines a delightful aromatic garden of love in his setting from the Song of Songs. Cornysh’s Woefully arrayed, with text by John Skelton, presents Christ showing the way to a new promised land – which, to end the programme with another glorious masterpiece, is represented by Monteverdi’s exquisite four-part mass.
Join us for a journey above the Orient!
