Please note: This concert is in the past and has already taken place.

Cloistered Composers

Add to my Calendar 09-11-2023 19:30 09-11-2023 21:30 36 Cloistered Composers Aleotti, Assandra, Cozzolani, Leonarda, Vizzana – few people will have heard their names before. These Renaissance composers chose convent life over secular society’s traditional tasks. In the safety of the cloisters’ shadows they could follow their faith, enjoy an excellent education and avoid an arranged marriage to a partner of their family’s political preference. In return, they provided their abbeys with polyphony aplenty, gaining local notoriety as organists, singers, directors and composers. Aleotti’s un-convent-ionally flamboyant madrigals were highly regarded; Leonarda was nicknamed the “Muse of Novara”; and Cozzolani's choir of nuns, the “white and melodious swans”, were hailed as the best singers in Italy. Patriarchal prejudice restricted these women’s reputations. Adverse Archbishops and contrary Cardinals found their music frivolous, unfit for religious rites or public performance. The complexity of Aleotti’s compositions was criticised for “making holiness give way to pleasure”… Orlando Chamber Choir sings these talented women’s wonderful works out of history’s shadows into the concert light. To add contrasting colours, the programme also includes majestic mass excerpts and motets by De Victoria – who, being a man, could enjoy the protection of the priory as a priest yet travel free into the limelight as he pleased. St Botolph-without-Bishopsgate Church, London DD/MM/YYYY

Details

St Botolph-without-Bishopsgate Church
Bishopsgate
City of London

London
EC2M 3TL
England


Programme

Chiara Margarita CozzolaniDeus in adjutorium
Chiara Margarita CozzolaniLaetatus Sum
Tomas Luis de VictoriaGaude Maria Virgo
Tomas Luis de VictoriaO lux, et decus Hispaniae
Tomas Luis de VictoriaMissa Trahe me post te
Tomas Luis de VictoriaVersa est in luctum
Raphaella AleottiMiserere
Raphaella AleottiAudivi vocem
Donna Lucrezia VizzanaProtector Noster
Caterina AssandraO dulcis amor Jesu
Isabella LeonardaLittanie della beata vergine Maria
Isabella LeonardaDixit Dominus
Raphaella AleottiHor che la vaga aurora
Raphaella AleottiBaciai per haver vita
Raphaella AleottiIo v'amo vita mia

Performers

Lucy Goddard – Conductor

Orlando Chamber Choir

Programme Note

Aleotti, Assandra, Cozzolani, Leonarda, Vizzana – few people will have heard their names before. These Renaissance composers chose convent life over secular society’s traditional tasks. In the safety of the cloisters’ shadows they could follow their faith, enjoy an excellent education and avoid an arranged marriage to a partner of their family’s political preference.

In return, they provided their abbeys with polyphony aplenty, gaining local notoriety as organists, singers, directors and composers. Aleotti’s un-convent-ionally flamboyant madrigals were highly regarded; Leonarda was nicknamed the “Muse of Novara”; and Cozzolani's choir of nuns, the “white and melodious swans”, were hailed as the best singers in Italy.

Patriarchal prejudice restricted these women’s reputations. Adverse Archbishops and contrary Cardinals found their music frivolous, unfit for religious rites or public performance. The complexity of Aleotti’s compositions was criticised for “making holiness give way to pleasure”…

Orlando Chamber Choir sings these talented women’s wonderful works out of history’s shadows into the concert light.

To add contrasting colours, the programme also includes majestic mass excerpts and motets by De Victoria – who, being a man, could enjoy the protection of the priory as a priest yet travel free into the limelight as he pleased.

Orlando Chamber Choir - Cloistered Composers

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