Joy and James Lisney at St George's Bristol, Bristol on Sunday 19th May 2019

Please note: This concert is in the past and has already taken place.

Joy and James Lisney

Add to my Calendar 19-05-2019 16:00 19-05-2019 18:00 36 Joy and James Lisney Bach’s awe-inspiring Chaconne takes centre stage in a programme with Brahms and Chopin from one of the UK’s most exciting cello and piano duos. When Johannes Brahms stumbled upon Bach’s Chaconne in 1877, he couldn’t believe his eyes: ‘On one stave, for a small instrument, the man writes a whole world of the deepest thoughts and most powerful feelings. If I imagined that I could have created, even conceived the piece, I am quite certain that the excess of excitement and earth-shattering experience would have driven me out of my mind.’ Cellist Joy Lisney’s transcription of this work is a tour-de-force of instrumental ingenuity, musicianship and virtuosity. The programme concludes with Brahms’ Regensonate in D; an intensely nostalgic work that Clara Schumann described as ‘blissful’ and ‘melancholic’ – music that she wanted to accompany her ‘at that passage from here to eternity’. St George's Bristol, Bristol DD/MM/YYYY

Details

St George's Bristol
Great George Street
Bristol
BS1 5RR
England

Sunday 19th May 2019
4:00 PM

Programme

Johann Sebastian Bach – Sonata no.2 in D major for Viola da Gamba, BWV 1028
Johannes Brahms – Violin Sonata no.3 in D minor, Op.108
Johann Sebastian Bach – Ciaccona in D minor, BWV 1004 (arr. Joy Lisney)
Frédéric Chopin – Cello Sonata, Op.65

Performers

Joy Lisney – Cello
James Lisney – piano

Programme Note

Bach’s awe-inspiring Chaconne takes centre stage in a programme with Brahms and Chopin from one of the UK’s most exciting cello and piano duos.

When Johannes Brahms stumbled upon Bach’s Chaconne in 1877, he couldn’t believe his eyes: ‘On one stave, for a small instrument, the man writes a whole world of the deepest thoughts and most powerful feelings. If I imagined that I could have created, even conceived the piece, I am quite certain that the excess of excitement and earth-shattering experience would have driven me out of my mind.’

Cellist Joy Lisney’s transcription of this work is a tour-de-force of instrumental ingenuity, musicianship and virtuosity.

The programme concludes with Brahms’ Regensonate in D; an intensely nostalgic work that Clara Schumann described as ‘blissful’ and ‘melancholic’ – music that she wanted to accompany her ‘at that passage from here to eternity’.

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