Anita D'Attellis and David Alexander: Piano Duets at St Mary-le-More Church, Wallingford on Saturday 24th May 2025

Anita D'Attellis and David Alexander

Piano Duets

Add to my Calendar 24-05-2025 19:30 24-05-2025 21:30 36 Anita D'Attellis and David Alexander Wallingford Chamber Music present: The Variations on the St Anthony Chorale (a melody erroneously attributed to Haydn) which is better known as an orchestral work, but was originally written for two pianos and published by the composer in both versions. Anita and David are giving the world première of a new piece by Graham Lynch, Sinfonias and Saltimbanques which was commissioned by Anita. Stravinsky’s ballet, The Rite Of Spring, was first performed over a century ago. The riotous uproar that greeted its first stage performance with orchestra in Paris in 1913 has become one of the legends of music history, but the appearance of Stravinsky’s own, hardly less explosive version for two pianos, first performed by the composer and Claude Debussy in the Summer of 1912 seemed to pass with little comment. St Mary-le-More Church, Wallingford DD/MM/YYYY

Details

St Mary-le-More Church
Market Place
Wallingford
Oxfordshire
OX10 0EG
England

Saturday 24th May 2025
7:30 PM

Tickets

Prices: £20.00
Booking line: 07551 482678
Book Tickets

Programme

Johannes Brahms – Variations on a Theme by Haydn 'St. Anthony Variations', Op.56a (orchestra)
Igor Stravinsky – The Rite of Spring for four hands
Graham Lynch – Sinfonias and Saltimbanques (world premiere)

Performers

Anita D'Attellis – piano
David Alexander – piano

Programme Note

Wallingford Chamber Music present:

The Variations on the St Anthony Chorale (a melody erroneously attributed to Haydn) which is better known as an orchestral work, but was originally written for two pianos and published by the composer in both versions.

Anita and David are giving the world première of a new piece by Graham Lynch, Sinfonias and Saltimbanques which was commissioned by Anita.

Stravinsky’s ballet, The Rite Of Spring, was first performed over a century ago. The riotous uproar that greeted its first stage performance with orchestra in Paris in 1913 has become one of the legends of music history, but the appearance of Stravinsky’s own, hardly less explosive version for two pianos, first performed by the composer and Claude Debussy in the Summer of 1912 seemed to pass with little comment.

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