The Strand International Piano Series 2025/6 - The Rachmaninov Preludes at St Mary Le Strand Church, London on Friday 14th November 2025

The Strand International Piano Series 2025/6 - The Rachmaninov Preludes

Part of the Strand International Piano Series 2025

Add to my Calendar 14-11-2025 18:00 14-11-2025 20:00 36 The Strand International Piano Series 2025/6 - The Rachmaninov Preludes Step into the stunning candlelit setting of St Mary le Strand — “the Jewel of the Strand” — for the return of The Strand International Piano Series, now it's in fourth year after a critically acclaimed launch season in 2022–23. This intimate and architecturally impressive Baroque church has quickly become one of London’s most captivating concert venues, offering sublime acoustics along with the power and clarity of a brand-new Steinway concert grand piano.This year’s series celebrates one of the most evocative and emotionally charged achievements in the piano repertoire: Sergei Rachmaninoff’s 24 Preludes. Spanning every major and minor key, these works offer a sweeping portrait of the composer’s inner world—from thunderous drama and virtuosic brilliance to haunting lyricism and introspective beauty. Written across different periods of his life, the preludes reflect the full range of Rachmaninoff’s genius, and each concert in the series reveals a new facet of his profound musical voice.Whether you’re a seasoned concert-goer or discovering classical piano music for the first time, this is an evening not to be missed—set in one of London’s most atmospheric musical spaces, just steps away from some of the city’s finest restaurants and bars.About Maiko MoriSince winning first prize at the Birmingham International Piano Competition in 2002, Maiko Mori has continued to build an international career as one of the outstanding soloists and chamber musicians of her generation.Maiko has enjoyed acclaim at prestigious venues in the UK, Europe and Japan such as Radio France, BBC Radio 3, Cheltenham Festival, the Purcell Room in London, West Road Concert Hall in Cambridge, Kolarac in Belgrade, Serbia and Suntory Hall in Tokyo, Japan, to mention but a few.She made her concerto debut in the UK with the RCM Symphony Orchestra conducted by Vasily Petrenko in 2006. Since then, she has performed with various orchestras internationally. The most recent concerto performance includes Piano Concerto No.3 by Rachmaninoff (Kyoto Concert Hall, Japan) under Tetsuro Ban, and Piano Concerto No.2 by Brahms (St Cyprian's, London, UK), under Levon Parikian.Maiko performs a wide range of concertos and solo works, and is a keen chamber musician with a particular interest in 20th century music, especially jazz/classical fusion repertoire.Born in Japan, Maiko began her piano and composition studies at the age of five at the Yamaha School. Under the tutelage of Chikako Shibata, Maiko gained much recognition. She gave her first public recital at the age of 6, performing her own compositions. St Mary Le Strand Church, London DD/MM/YYYY

Details

St Mary Le Strand Church
Strand
The Strand
London
WC2R 1ES
England

Friday 14th November 2025
6:00 PM

Tickets

Prices: £10, £20, £30
Booking line: 0333 666 4466
Book Tickets

Programme

Doménico Scarlatti – Keyboard Sonata in B minor, K.27
Ludwig van Beethoven – Piano Sonata no.21 in C major 'Waldstein', Op.53
Fanny Mendelssohn – Notturno in G minor
Felix Mendelssohn – Songs without Words: selection
Sergei Rachmaninov – Prelude in D Major, Op.23 no.4
Sergei Rachmaninov – Prelude in G minor, Op.23 no.5

Performers

Maiko Mori – Piano

Other concerts in this Series (+)

Programme Note

Step into the stunning candlelit setting of St Mary le Strand — “the Jewel of the Strand” — for the return of The Strand International Piano Series, now it's in fourth year after a critically acclaimed launch season in 2022–23. This intimate and architecturally impressive Baroque church has quickly become one of London’s most captivating concert venues, offering sublime acoustics along with the power and clarity of a brand-new Steinway concert grand piano.

This year’s series celebrates one of the most evocative and emotionally charged achievements in the piano repertoire: Sergei Rachmaninoff’s 24 Preludes. Spanning every major and minor key, these works offer a sweeping portrait of the composer’s inner world—from thunderous drama and virtuosic brilliance to haunting lyricism and introspective beauty. Written across different periods of his life, the preludes reflect the full range of Rachmaninoff’s genius, and each concert in the series reveals a new facet of his profound musical voice.

Whether you’re a seasoned concert-goer or discovering classical piano music for the first time, this is an evening not to be missed—set in one of London’s most atmospheric musical spaces, just steps away from some of the city’s finest restaurants and bars.

About Maiko Mori
Since winning first prize at the Birmingham International Piano Competition in 2002, Maiko Mori has continued to build an international career as one of the outstanding soloists and chamber musicians of her generation.

Maiko has enjoyed acclaim at prestigious venues in the UK, Europe and Japan such as Radio France, BBC Radio 3, Cheltenham Festival, the Purcell Room in London, West Road Concert Hall in Cambridge, Kolarac in Belgrade, Serbia and Suntory Hall in Tokyo, Japan, to mention but a few.

She made her concerto debut in the UK with the RCM Symphony Orchestra conducted by Vasily Petrenko in 2006. Since then, she has performed with various orchestras internationally. The most recent concerto performance includes Piano Concerto No.3 by Rachmaninoff (Kyoto Concert Hall, Japan) under Tetsuro Ban, and Piano Concerto No.2 by Brahms (St Cyprian's, London, UK), under Levon Parikian.

Maiko performs a wide range of concertos and solo works, and is a keen chamber musician with a particular interest in 20th century music, especially jazz/classical fusion repertoire.

Born in Japan, Maiko began her piano and composition studies at the age of five at the Yamaha School. Under the tutelage of Chikako Shibata, Maiko gained much recognition. She gave her first public recital at the age of 6, performing her own compositions.

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