The Tempest | Beethoven, Mozart, Schubert

Cristian Sandrin performs piano sonatas by Mozart, Beethoven, and Schubert, in a thrilling musical feast of intimacy and elemental fire.

Part of the Kettner Concerts in Twickenham - 2026 Series

Add to my Calendar 07-06-2026 18:00 07-06-2026 20:00 36 The Tempest | Beethoven, Mozart, Schubert ★★★★★ — BBC Music Magazine Critics Choice 2025 — American Record Guide “Sandrin is a wonderful Beethoven interpreter” — Piano News Deutschland Hailed by critics on both sides of the Atlantic for his immaculate technique, crystalline clarity and mature interpretations, Cristian Sandrin's latest programme is inspired by Prospero's speech in Shakespeare's play The Tempest, as he reflects on the fleeting nature of life, "We are such stuff as dreams are made on and our little life is rounded with a sleep" — a sentiment that appealed to the Romantics. Cristian's recital features piano sonatas by three pioneers of Romanticism: Mozart, Beethoven, and Schubert. Programme Notes Mozart Composed in Paris in 1778 where Mozart enjoyed the revolutionary experience of performing to a paying audience, before his mother fell ill and died. The heartbreaking melancholy of the second movement is a timeless outpouring of grief. Beethoven Beethoven moved from Bonn to Vienna in 1792 in the hope of becoming Mozart's heir by playing in concert halls to a paying public. When his duplicitous factotum asked what the sonata was all about he is said to have retorted, "Read Shakespeare's Tempest." Schubert Schubert lived a carefree Bohemian life in Vienna until being diagnosed with syphilis in 1823. The first movement is more tempestuous than any other Schubert sonata. We are then led through a meandering panorama of life towards the final Rondo that seems to rage against fate, reflecting the composer's tortured soul. BiographyI was born in Bucharest into a family of musicians so I have been immersed in classical music all my life. My mother, as a librarian, encouraged me not to take music for granted and instilled in me the love of books, stories and poetry. My father was the distinguished pianist and professor Sandu Sandrin. Our home was always buzzing with his musician friends. From an early age he took me to concerts at the famous Romanian Atheneum Concert Hall and I studied the piano at the Dino Lipatti college with Maringa Dragomirescu and Cristian Dumitrescu, whose teaching centred on the culture of creating beautiful sounds and studying recordings of the great pianists of the past. I was never pressured to follow in my father’s footsteps. It was my decision, and in 2005 I was admitted to the Royal Academy of Music in London under the tutelage of professors Diana Ketler and Christopher Elton, who encouraged me to be imaginative and daring. In 2018 I received a DipRAM with distinction and completed my final degree at the RAM in 2019. I like to set myself ambitious musical goals and challenge myself to learn new and unfamiliar music. It is so important to remain curious and to work on pieces that are out of your comfort zone. In 2023 I was invited to become co-Artistic Director of the Kettner Society Concert series, enabling me to create solo and chamber music programmes that invite audiences to discover the breadth of classical music in all its glory. It is a pleasure to encourage younger musicians to think imaginatively about their programmes. The audience is a participant in a live performance and can feel the music as well as hear. St Mary's Church, London DD/MM/YYYY

Details

St Mary's Church
Church Street
Twickenham
London
TW1 3NJ
England

Tickets

Prices: £20 (£10 for Students and Under 30s)
Book Tickets

Programme

Wolfgang Amadeus MozartPiano Sonata no.8 in A minor, K.310/300d
Ludwig van BeethovenPiano Sonata no.17 in D minor 'Tempest', Op.31 no.2
Franz SchubertPiano Sonata no.16 in A minor, D.845

Performers

Cristian Sandrin – piano

Other concerts in this Series (+)

Programme Note

★★★★★ — BBC Music Magazine

Critics Choice 2025 — American Record Guide

“Sandrin is a wonderful Beethoven interpreter” — Piano News Deutschland

Hailed by critics on both sides of the Atlantic for his immaculate technique, crystalline clarity and mature interpretations, Cristian Sandrin's latest programme is inspired by Prospero's speech in Shakespeare's play The Tempest, as he reflects on the fleeting nature of life, "We are such stuff as dreams are made on and our little life is rounded with a sleep" — a sentiment that appealed to the Romantics. Cristian's recital features piano sonatas by three pioneers of Romanticism: Mozart, Beethoven, and Schubert.

Programme Notes

Mozart

Composed in Paris in 1778 where Mozart enjoyed the revolutionary experience of performing to a paying audience, before his mother fell ill and died. The heartbreaking melancholy of the second movement is a timeless outpouring of grief.

Beethoven

Beethoven moved from Bonn to Vienna in 1792 in the hope of becoming Mozart's heir by playing in concert halls to a paying public. When his duplicitous factotum asked what the sonata was all about he is said to have retorted, "Read Shakespeare's Tempest."

Schubert

Schubert lived a carefree Bohemian life in Vienna until being diagnosed with syphilis in 1823. The first movement is more tempestuous than any other Schubert sonata. We are then led through a meandering panorama of life towards the final Rondo that seems to rage against fate, reflecting the composer's tortured soul.

Biography

I was born in Bucharest into a family of musicians so I have been immersed in classical music all my life. My mother, as a librarian, encouraged me not to take music for granted and instilled in me the love of books, stories and poetry. My father was the distinguished pianist and professor Sandu Sandrin. Our home was always buzzing with his musician friends. From an early age he took me to concerts at the famous Romanian Atheneum Concert Hall and I studied the piano at the Dino Lipatti college with Maringa Dragomirescu and Cristian Dumitrescu, whose teaching centred on the culture of creating beautiful sounds and studying recordings of the great pianists of the past.

I was never pressured to follow in my father’s footsteps. It was my decision, and in 2005 I was admitted to the Royal Academy of Music in London under the tutelage of professors Diana Ketler and Christopher Elton, who encouraged me to be imaginative and daring. In 2018 I received a DipRAM with distinction and completed my final degree at the RAM in 2019.

I like to set myself ambitious musical goals and challenge myself to learn new and unfamiliar music. It is so important to remain curious and to work on pieces that are out of your comfort zone. In 2023 I was invited to become co-Artistic Director of the Kettner Society Concert series, enabling me to create solo and chamber music programmes that invite audiences to discover the breadth of classical music in all its glory. It is a pleasure to encourage younger musicians to think imaginatively about their programmes. The audience is a participant in a live performance and can feel the music as well as hear.

Cristian Sandrin

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