Battle Cry: She Speaks: A programme challenging the 17th-century obsession with female abandonment and lament. at St Nicholas' Church, Brighton on Saturday 21st October 2023

Please note: This concert is in the past and has already taken place.

Battle Cry: She Speaks

A programme challenging the 17th-century obsession with female abandonment and lament.

Part of the Brighton Early Music - Autumn 2023 Festival

Add to my Calendar 21-10-2023 13:00 21-10-2023 15:00 36 Battle Cry: She Speaks This 2023 BBC Music Magazine award-winning duo presents a programme challenging the 17th-century obsession with female abandonment and lament. Includes music by Purcell, Monteverdi and Barbara Strozzi. The stories of women such as Dido and Ariadne have been told and re-told throughout history, as Greek myths and ancient tales dealt with the reality of war and high mortality rates on the women seen to be ‘left behind’ by male adventure and success. We consider this trope through the hands of women and men writing music in the 17th century, exploring whether this abandonment and lament does need the air of helplessness that might be assumed. Owain Park’s Battle Cry (City Music Foundation commission, 2020) considers this stance in the 21st century, giving so-called ‘abandoned women’ a platform for their own voice. Through new texts by Georgia Way, the voices of Boudicca, Philomela, Marietta and Sappho are brought into focus as we ask what they might say today. Our programme also illuminates the voice and theorbo as a modern-day musical pairing and brings it forward into the 21st century (it is a far less exploited idiom in contemporary music than one would expect). Instead of using a large continuo team with harpsichord and cello alongside the theorbo as might be more typical in performances of the 17th-century components of this programme, we chose to zoom in on the intimate connection and extraordinary expressive wealth of just this pairing. The effect is a world of clarity and beauty, allowing the stories being told to take centre stage. Enter this glorious sound world with us as we breathe new life into this instrumental combination and let the battle cry of women throughout the centuries resound. St Nicholas' Church, Brighton DD/MM/YYYY

Details

St Nicholas' Church
Church Street
Brighton
East Sussex
BN1 3LJ
England

Saturday 21st October 2023
1:00 PM

Programme

Henry Purcell – Bonduca, Z.574: 'O, lead me to some peaceful gloom'
Barbara Strozzi – L’eraclito Amoroso
Robert de Visée – Prelude
John Eccles – Restless in Thought
Owain Park – Battle Cry
Barbara Strozzi – La Travagliata
Claudio Monteverdi – Lamento d'Arianna, SV 22
Robert de Visée – Sarabande
Henry Purcell – An Evening Hymn, Z.193

Performers

Helen Charlston – mezzo-soprano
Toby Carr – theorbo

Other concerts in this Series (+)

Programme Note

This 2023 BBC Music Magazine award-winning duo presents a programme challenging the 17th-century obsession with female abandonment and lament. Includes music by Purcell, Monteverdi and Barbara Strozzi.

The stories of women such as Dido and Ariadne have been told and re-told throughout history, as Greek myths and ancient tales dealt with the reality of war and high mortality rates on the women seen to be ‘left behind’ by male adventure and success. We consider this trope through the hands of women and men writing music in the 17th century, exploring whether this abandonment and lament does need the air of helplessness that might be assumed.

Owain Park’s Battle Cry (City Music Foundation commission, 2020) considers this stance in the 21st century, giving so-called ‘abandoned women’ a platform for their own voice. Through new texts by Georgia Way, the voices of Boudicca, Philomela, Marietta and Sappho are brought into focus as we ask what they might say today.

Our programme also illuminates the voice and theorbo as a modern-day musical pairing and brings it forward into the 21st century (it is a far less exploited idiom in contemporary music than one would expect). Instead of using a large continuo team with harpsichord and cello alongside the theorbo as might be more typical in performances of the 17th-century components of this programme, we chose to zoom in on the intimate connection and extraordinary expressive wealth of just this pairing. The effect is a world of clarity and beauty, allowing the stories being told to take centre stage. Enter this glorious sound world with us as we breathe new life into this instrumental combination and let the battle cry of women throughout the centuries resound.

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