Please note: This concert is in the past and has already taken place.

Chamber Music by African-American Composers

Part of the The African Concert Series 2022 Cycle

Add to my Calendar 07-07-2022 19:00 07-07-2022 21:00 36 Chamber Music by African-American Composers The African Concert Series returns to St. Olave's Church, Tower Hill, London with a sumptuous programme of Chamber Music by African-American Composers featuring Florence Price's Piano Quintet in A minor and Lawrence Brown's arrangements of Five Negro Folk Songs for double bass and piano. Born into a mixed-race family in Arkansas, Florence B Price (1887-1953) was talented early and went to study at the New England Conservatory in Boston (where she passed as Mexican to try and avoid racial harassment). She returned to the South and married in 1912 but moved to Chicago in 1927. Though she had significant success during her lifetime, by her death her music had begun to fade from consciousness. In four movements, Price's Piano Quintet in A minor explores as musical material the spirituals and hymns which were very much part of the Black musical culture of the time. Composer, pianist and arranger Lawrence B Brown (1893-1972) was one of the pioneers who introduced the Negro Spiritual to the concert stage through his research of the folk music, composition of songs using Spirituals as the source, as well as performing as pianist and recording artist. In 1920, Brown continued his musical studies at Trinity College in London, where he studied composition with Amanda Aldridge. He became an active participant in the musical life in London and worked with fellow musicians such as composer Roger Quilter and baritone John C. Payne. He contributed five songs to “The Book of American Negro Spirituals,” by J. Rosamond Johnson and James Weldon Johnson, published in 1925. In 1930 he published his collection of Negro Folk Songs. The composer is credited with over 400 Spirituals and work song settings, with approximately 30 published. The programme will also feature Deep River arranged by Tom Poster for violin, viola, double bass and piano.  Doors open 6.30pm for 7.00pm start. The concert will last one hour with no interval.  St Olave's Church, London DD/MM/YYYY

Details

St Olave's Church
8 Hart Street
City of London

London
EC3R 7NB
England


Programme

Lawrence BrownFive Negro Folk Songs
Florence PricePiano Quintet in A minor (1936)

Performers

Leon Bosch – double bass
Rebeca Omordia – piano
Julian Rodriguez – violin
Alix Lagasse – violin
Joseph Spooner – Cello
Bridget Carey – viola

Programme Note

The African Concert Series returns to St. Olave's Church, Tower Hill, London with a sumptuous programme of Chamber Music by African-American Composers featuring Florence Price's Piano Quintet in A minor and Lawrence Brown's arrangements of Five Negro Folk Songs for double bass and piano.

Born into a mixed-race family in Arkansas, Florence B Price (1887-1953) was talented early and went to study at the New England Conservatory in Boston (where she passed as Mexican to try and avoid racial harassment). She returned to the South and married in 1912 but moved to Chicago in 1927. Though she had significant success during her lifetime, by her death her music had begun to fade from consciousness. In four movements, Price's Piano Quintet in A minor explores as musical material the spirituals and hymns which were very much part of the Black musical culture of the time.

Composer, pianist and arranger Lawrence B Brown (1893-1972) was one of the pioneers who introduced the Negro Spiritual to the concert stage through his research of the folk music, composition of songs using Spirituals as the source, as well as performing as pianist and recording artist. In 1920, Brown continued his musical studies at Trinity College in London, where he studied composition with Amanda Aldridge. He became an active participant in the musical life in London and worked with fellow musicians such as composer Roger Quilter and baritone John C. Payne. He contributed five songs to “The Book of American Negro Spirituals,” by J. Rosamond Johnson and James Weldon Johnson, published in 1925. In 1930 he published his collection of Negro Folk Songs. The composer is credited with over 400 Spirituals and work song settings, with approximately 30 published.

The programme will also feature Deep River arranged by Tom Poster for violin, viola, double bass and piano. 

Doors open 6.30pm for 7.00pm start. The concert will last one hour with no interval. 

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