Bonis and Beethoven: Finchley Symphony Orchestra at Trinity Church Centre, London on Saturday 25th March 2023

Please note: This concert is in the past and has already taken place.

Bonis and Beethoven

Finchley Symphony Orchestra

Add to my Calendar 25-03-2023 19:30 25-03-2023 21:30 36 Bonis and Beethoven Mélanie Bonis was a Parisian late-romantic composer whose music suffered years of neglect despite winning high praise from contemporaries such as Saint-Saens.  The Suite en forme de valses explores the waltz form in a wide variety of treatments. London-born German-Brazilian violinist Konrad Elias-Trostmann has performed around the world including at Carnegie Hall, the Wigmore Hall, the Melbourne Recital Centre and Sala Cultural Itaím São Paulo.  He joins us to play Beethoven’s monumental concerto. Beethoven was working on his fourth and fifth symphonies at around the same time but they could hardly be more different.  There is nothing ominous or portentous about the genial fourth which completes our programme, rather it bubbles with Beethovenian sparkle and wit. Trinity Church Centre, London DD/MM/YYYY

Details

Trinity Church Centre
15 Nether Street
North Finchley
London
N12 7NN
England

Saturday 25th March 2023
7:30 PM

Programme

Mel Bonis – Suite en forme de valses
Ludwig van Beethoven – Violin Concerto in D major, Op.61
~ Interval ~
Ludwig van Beethoven – Symphony no.4 in B flat major, Op.60

Performers

Christopher Stark – Conductor
Konrad Elias-Trostmann – violin

Finchley Symphony Orchestra

Programme Note

Mélanie Bonis was a Parisian late-romantic composer whose music suffered years of neglect despite winning high praise from contemporaries such as Saint-Saens. The Suite en forme de valses explores the waltz form in a wide variety of treatments.

London-born German-Brazilian violinist Konrad Elias-Trostmann has performed around the world including at Carnegie Hall, the Wigmore Hall, the Melbourne Recital Centre and Sala Cultural Itaím São Paulo. He joins us to play Beethoven’s monumental concerto.

Beethoven was working on his fourth and fifth symphonies at around the same time but they could hardly be more different. There is nothing ominous or portentous about the genial fourth which completes our programme, rather it bubbles with Beethovenian sparkle and wit.

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