Details
Brighton Dome Concert Hall
Church Street
Brighton and Hove
East Sussex
BN1 1UD
England
Tickets
Prices: £13, £20, £28, £34, £39 / Under 30s from £10 / £1 child tickets / 50% off Low-Income Concessions
Season tickets: Book 3 concerts to save 20%; book 7 concerts to save 25% (Brighton Dome only, exc. Britten’s Serenade)
Booking line: 01273709709
Book Tickets
Programme
Samuel Coleridge-Taylor – Violin Concerto, Op.80
Gustav Mahler – Symphony no.5 in C sharp minor
Performers
Elena Urioste – violin
Ben Gernon – Conductor
Brighton Philharmonic Orchestra
Other concerts in this Series (+)
Programme Note
Coleridge-Taylor’s lyrical violin concerto and Mahler’s ‘Death in Venice’ symphony combine in a passionate, heroic programme.
Mahler wrote wonderfully about his fifth symphony: ‘This primeval music, this foaming, roaring, sea of sound,’ he said. ‘These dancing stars… these breathtaking, iridescent and flashing breakers…’
His pivotal symphony – premiered in 1904 – came at a time of turbulence and joy: serious health problems necessitating a break from conducting in Vienna, and his deep love affair with Alma Schindler, later his wife. The symphony’s 70-minute, five movement-trajectory reflects this journey from mourning to triumph; the exquisitely beautiful and personal Adagietto, unforgettable in Visconti’s film Death in Venice, is a rapturous love episode before the blazing, brass-led finale. Mahler’s fifth symphony is his testament to life, bridging romanticism and modernism: music that takes us to the edge of the abyss, offers us consolation, then passion.
Before that, the trail-blazing American violinist Elena Urioste performs Samuel Coleridge-Taylor’s richly lyrical violin concerto, first performed in 1912. The son of an English mother and Sierra Leonian father, Coleridge-Taylor’s gifts as composer and conductor were cut short at 37, leaving us iconic, popular works like Hiawatha’s Wedding Feast. His music is imbued with romantic melody and glittering virtuosity. Don’t miss this gorgeous concerto, delivered by its most celebrated interpreter.
‘It’s hard to imagine a finer advocate for Samuel Coleridge-Taylor’s Violin Concerto than Elena Urioste, who dispensed gleaming tone, flawless technique and generous expressivity.’ – The Dallas Morning News
