Your events at Classical Events
Details
Brighton Dome Concert Hall
Church Street
Brighton and Hove
East Sussex
BN1 1UD
England
Programme
Ralph Vaughan Williams – Fantasia on a Theme by Thomas Tallis
John Tavener – The Protecting Veil for cello and strings
Max Richter – Vivaldi Recomposed: Winter
Antonio Vivaldi – The Four Seasons: Winter
Max Richter – Vivaldi Recomposed: Spring
Antonio Vivaldi – The Four Seasons: Spring
Performers
Guy Johnston – cello
Ruth Rogers – violin
Joanna MacGregor – Conductor
Brighton Philharmonic Orchestra
Other concerts in this Series (+)
Programme Note
John Tavener’s spiritual masterpiece – both ecstatic and contemplative – is paired with Vaughan Williams’ most haunting, enduring work, along with Max Richter’s fine-boned homage to Vivaldi.
This programme focuses on the power and lyricism of a large string orchestra, climaxing with John Tavener’s 45-minute cello concerto The Protecting Veil. Led by star cellist Guy Johnston, winner of BBC Musician of the Year and the Classical Brits, the listener is taken on a profound journey – serene, disruptive, joyful – bringing authenticity and mediation to a secular world. ‘I have tried to capture the cosmic power of the Mother of God,’ Tavener said, explaining the ‘protecting veil’ of the Virgin Mary; ‘the cello never stops singing throughout.’ It topped the classical charts after its premiere at the Proms in 1992 and was nominated for the Mercury Prize; a later Tavener work, Music for Athene, was sung at Princess Diana’s funeral.
Before that, Vaughan Williams’ sublime homage to his 16th century forebear, Fantasia on a Theme of Thomas Tallis – one of his most loved works – gives way to two of Vivaldi’s Seasons: fittingly Spring and Winter. Vivaldi’s superb Venetian virtuosity is subtly, and mesmerizingly, reimagined by the influential composer Max Richter from his 2014 hit album, Vivaldi Recomposed.
‘Guy Johnston captures Tavener’s wistful, yearning quality to perfection, surfing the music's impassioned dynamic range with a beguiling, velvet sonority that opens out thrillingly in moments of special intensity.’ – The Times
