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Details
Stamford Arts Centre
27 St Mary's Street
Stamford
Lincolnshire
PE9 2DL
England
Tickets
Prices: £22.50
Book Tickets
Programme
Franz Schubert – Three Piano Pieces, D.946
Franz Liszt – Bénédiction de Dieu dans la Solitude
Frédéric Chopin – Piano Sonata no.3 in B minor, Op.58
Sergei Rachmaninov – Lilacs, Op.21 no.5
Sergei Rachmaninov – Daisies, Op.38 no.3
Sergei Rachmaninov – Liebeslied
Sergei Rachmaninov – Liebesfreud
Performers
James Lisney – piano
Other concerts in this Series (+)
Programme Note
James Lisney returns to Stamford’s Ballroom with a garland of romantic piano music inspired by poetry, song, and the spirit of dance.
Franz Liszt considered his Bénédiction (the third piece of his 1853 piano cycle Harmonies poétiques et religieuses) one of his most significant works, often performing it for house guests. It is a profound meditation on the eponymous poem by Alphonse de Lamartine, interpreting French Romantic sentiments through the most sumptuous of piano writing.
Franz Schubert’s Drei Klavierstücke, written 1827/28, gained their Germanic title from Johannes Brahms who edited the pieces for their first publication in 1868. The first two pieces allude to his own lied and the opera Fierabras, and some commentators see a quote from Handel’s Messiah - a score that Schubert was studying in 1828. The outer sections of the final Allegro, however, are shot through with bohemian dance rhythms and virtuosic piano writing.
Fryderyk Chopin was intensely interested in the bel canto style of Italian opera and particularly admired the long melodic lines of composers such as Vincenzo Bellini. The sonata presents a rich mixture of melodies and pianistic brilliance, but it is tightly wrought beneath the surface - one of the most satisfying of nineteenth century piano sonatas.
Finally, Rachmaninoff produced affectionate transcriptions of music by Bach, Mendelssohn, Tchaikovsky, and others. James Lisney presents two celebrated songs originally written for soprano - and two waltzes that the celebrated violinist Fritz Kreisler passed off as “Old Viennese Dances” before confessing that they were his own. Rachmaninoff’s virtuosic and humorous transcriptions are a splendid tribute from one emigré musician to another.
"I have nothing but praise for James Lisney`s piano playing; he combines velvet touch and wide range of colour with complete understanding of phrasing and dynamic shading. This is someone who can really give the mechanical box of wires and wood a singing soul." The Telegraph
"I couldn’t fault Lisney’s technically and musically perfect playing of Chopin at Wigmore Hall… a gem of a concert which will stay in the memory for a long time to come; five stars." Musicomh
"James Lisney has the rare ability to play Chopin with a genuine pianissimo, as well as possessing a full range of power and sensitivity when required. Chopin playing of fine quality and discernment.” Musical Opinion
