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English Chamber Orchestra with Ana de la Vega & Ramon Ortega Quero
Part of the English Chamber Orchestra 2019/20 Season
Add to my Calendar 24-01-2020 19:30 24-01-2020 21:30 36 English Chamber Orchestra with Ana de la Vega & Ramon Ortega Quero Following a successful debut performance at Hamburg’s Elbphilharmonie, the ECO joinsflautist Ana de la Vega and oboist Ramon Ortega Quero for a programme including double concertos by Haydn and Stamitz. A combination of instruments barely explored since the great Swiss collaboration of Heinz Holliger and Aurèle Nicolet in the early 1980s, the ECO and star soloists Ana de la Vega (flute) and Ramón Ortega Quero (oboe) bring to life some of Haydn’s very late works – commissions by King Ferdinand of Naples – and forgotten gems by Karl Stamitz which have remained in manuscript for over 300 years. Full of life, genius and operatic charm, these works uncover the mystic love affair between the flute and oboe – a relationship intrinsic, almost cornerstone, to the symphonic repertoire, now bought to the fore. Cadogan Hall, London DD/MM/YYYYDetails
Cadogan Hall
5 Sloane Terrace
Sloane Square, Belgravia
London
SW1X 9DQ
England
Programme
Domenico Cimarosa – I traci amanti: Overture
Edward Elgar – Serenade for String Orchestra in E Minor, Op.20
Joseph Haydn – Concerto for Two Lire Organizzate in C major, Hob. VIIh:1
Carl Philipp Stamitz – Concerto for Oboe and Flute in G major
Wolfgang Amadeus Mozart – Symphony no.29 in A major, K.201/186a
Performers
Ana de la Vega – flute
Ramon Ortega Quero – oboe
English Chamber Orchestra
Other concerts in this Series (+)
Programme Note
Following a successful debut performance at Hamburg’s Elbphilharmonie, the ECO joinsflautist Ana de la Vega and oboist Ramon Ortega Quero for a programme including double concertos by Haydn and Stamitz.
A combination of instruments barely explored since the great Swiss collaboration of Heinz Holliger and Aurèle Nicolet in the early 1980s, the ECO and star soloists Ana de la Vega (flute) and Ramón Ortega Quero (oboe) bring to life some of Haydn’s very late works – commissions by King Ferdinand of Naples – and forgotten gems by Karl Stamitz which have remained in manuscript for over 300 years. Full of life, genius and operatic charm, these works uncover the mystic love affair between the flute and oboe – a relationship intrinsic, almost cornerstone, to the symphonic repertoire, now bought to the fore.
