Please note: This concert is in the past and has already taken place.

Robert Max Bach Recital

Part of the Conway Hall Sunday Concerts, Spring 2022 Series

Add to my Calendar 30-01-2022 18:30 30-01-2022 20:30 36 Robert Max Bach Recital We are pleased to be able to welcome an audience for this performance, and will also stream the concert on YouTube Live. Attendance in person may not be possible if government guidelines change prior to the event. We reserve the right to make this event livestream only and will inform ticket holders in advance. One of the miraculous manifestations of Bach’s genius is in the magical way in which melody, harmony and perhaps two, though sometimes three, voices co-existing music designed to be played by an instrument that mostly only plays one note at a time. Robert Max is touring the UK playing the complete Suites, and we are pleased to present this exciting project at Conway Hall. Here is musicianship of a high order, interpretatively and technically…there is a warmth and humanity to these performances which dig deep beneath the surface…the astonishment one feels at Bach’s genius is laid before us with masterful humanity and insight.Musical Opinion Pre-concert talk with Robert Hugill at 5.30pm: In search of Bach's cello suites Bach’s six suites for solo cello are some of the most frequently performed and recognisable solo compositions ever written for cello, yet there is so much we don't know about them. Robert Hugill goes on an exploration to find out more about the background, and what we actually know about when, for whom and where they were written.   About the Sunday Concerts Founded in the 1880s, our chamber music concert series is the longest-running of its kind in Europe. Conway Hall was purpose-built in 1929 to host concerts and lectures, and they have continued here until the present day. The ethos of “affordable classical music for all” still remains. Conway Hall, London DD/MM/YYYY

Details

Conway Hall
25 Red Lion Square
Camden

London
WC1R 4RL
England


Programme

Johann Sebastian BachCello Suite no.1 in G major, BWV 1007
Johann Sebastian BachCello Suite no.2 in D minor, BWV 1008
Johann Sebastian BachCello Suite no.3 in C major, BWV 1009
Johann Sebastian BachCello Suite no.4 in E-flat major, BWV 1010
Johann Sebastian BachCello Suite no.5 in C minor, BWV 1011
Johann Sebastian BachCello Suite no.6 in D major, BWV 1012

Performers

Robert Max – Cello

Other concerts in this Series (+)

Programme Note

We are pleased to be able to welcome an audience for this performance, and will also stream the concert on YouTube Live. Attendance in person may not be possible if government guidelines change prior to the event. We reserve the right to make this event livestream only and will inform ticket holders in advance.

One of the miraculous manifestations of Bach’s genius is in the magical way in which melody, harmony and perhaps two, though sometimes three, voices co-existing music designed to be played by an instrument that mostly only plays one note at a time. Robert Max is touring the UK playing the complete Suites, and we are pleased to present this exciting project at Conway Hall.

Here is musicianship of a high order, interpretatively and technically…there is a warmth and humanity to these performances which dig deep beneath the surface…the astonishment one feels at Bach’s genius is laid before us with masterful humanity and insight.
Musical Opinion

Pre-concert talk with Robert Hugill at 5.30pm:

In search of Bach's cello suites

Bach’s six suites for solo cello are some of the most frequently performed and recognisable solo compositions ever written for cello, yet there is so much we don't know about them. Robert Hugill goes on an exploration to find out more about the background, and what we actually know about when, for whom and where they were written.

 

About the Sunday Concerts

Founded in the 1880s, our chamber music concert series is the longest-running of its kind in Europe. Conway Hall was purpose-built in 1929 to host concerts and lectures, and they have continued here until the present day. The ethos of “affordable classical music for all” still remains.

Robert Max (c) Claude Darmon

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