University Chamber Orchestra at Sir Jack Lyons Concert Hall, York on Wednesday 18th February 2026

University Chamber Orchestra

Part of the York Concerts 2025/2026 Cycle

Add to my Calendar 18-02-2026 19:30 18-02-2026 21:30 36 University Chamber Orchestra Following a sold-out concert in 2025, University Chamber Orchestra returns with one of the most famous pieces of classical music ever composed. Despite being so well known, Beethoven's Fifth Symphony is more complex than we might realise. The music journalist Tom Service writes that the 'only life-forms who now really hear the ambiguities in the opening' of the work are 'infants or extra-terrestrials'! It is not until the third time we hear the four-note rhythmic figure at the beginning of the Symphony – often referred to as the hammer blows of fate – that the key is confirmed as C minor. Up until this point, the music could be in E-flat major. While our familiarity with the work prevents us from hearing these intricacies, it is perhaps important to keep them in mind. As the transition from the scherzo to the finale reminds us so emphatically, where there is darkness, there is light. The programme also includes Saint-Saëns' ever-popular Second Piano Concerto, with final-year student Katie Laing as the soloist, and the first performance of PhD composer Roy Watkins' Terry Holmes Composer and Performer Award Commission. Sir Jack Lyons Concert Hall, York DD/MM/YYYY

Details

Sir Jack Lyons Concert Hall
University of York
York
YO10 5DD
England

Wednesday 18th February 2026
7:30 PM

Tickets

Prices: Tickets: £5 to £16, booking required
Booking line: 01904 322439
Book Tickets

Programme

Ludwig van Beethoven – Symphony no.5 in C minor, Op.67
Camille Saint-Saëns – Piano Concerto no.2 in G minor, Op.22

Performers

University Chamber Orchestra

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Programme Note

Following a sold-out concert in 2025, University Chamber Orchestra returns with one of the most famous pieces of classical music ever composed. Despite being so well known, Beethoven's Fifth Symphony is more complex than we might realise. The music journalist Tom Service writes that the 'only life-forms who now really hear the ambiguities in the opening' of the work are 'infants or extra-terrestrials'! It is not until the third time we hear the four-note rhythmic figure at the beginning of the Symphony – often referred to as the hammer blows of fate – that the key is confirmed as C minor. Up until this point, the music could be in E-flat major. While our familiarity with the work prevents us from hearing these intricacies, it is perhaps important to keep them in mind. As the transition from the scherzo to the finale reminds us so emphatically, where there is darkness, there is light. The programme also includes Saint-Saëns' ever-popular Second Piano Concerto, with final-year student Katie Laing as the soloist, and the first performance of PhD composer Roy Watkins' Terry Holmes Composer and Performer Award Commission.

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