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Diana Damrau soprano; Xavier de Maistre harp

Debussy, Fauré, Rossini and Schubert

Part of the Wigmore Hall Autumn Concerts 2022 Season

Add to my Calendar 12-09-2022 19:30 12-09-2022 21:30 36 Diana Damrau soprano; Xavier de Maistre harp The German soprano enjoys a high-flying career in the world’s major opera houses, with recent appearances in the title-role of Donizetti’s Anna Bolena in Vienna and as the Countess in Strauss’s Capriccio in Munich. For this unusual programme she is joined by the eminent French harpist, ‘a virtuoso of the highest order,’ as Gramophone has put it, ‘profoundly musical and capable of realising a remarkable range of nuance.’ Wigmore Hall, London DD/MM/YYYY

Details

Wigmore Hall
36 Wigmore St
Marylebone
London
W1U 2BP
England

Programme

Franz Schubert – An die Musik, D.547
Franz Schubert – Auf dem Wasser zu singen, D.774
Franz Schubert – Du bist die Ruh, D.776
Franz Schubert – Ellens Gesang III, D.839
Gabriel Fauré – Impromptu no.6, Op.86
Gabriel Fauré – En prière
Gabriel Fauré – Clair de lune, Op.46, no.2
Gabriel Fauré – Les Berceaux, Op.23 no.1
Gabriel Fauré – Poème d’un jour, Op.21
Gabriel Fauré – Notre amour, Op.23 no.2
~ Interval ~
Claude Debussy – Nuit d’étoiles, L.4
Claude Debussy – Fleur des blés, L.16/7
Claude Debussy – Suite Bergamasque: III, Clair de lune
Claude Debussy – Mandoline, L.29
Claude Debussy – Beau Soir, L.84
Claude Debussy – Suite Bergamasque: III, Clair de lune
Gioachino Rossini – Otello
Gioachino Rossini – Soirées Musicales
Gioachino Rossini – L'esule
Gioachino Rossini – Aragonese

Performers

Diana Damrau – soprano
 Xavier de Maistre – Harp

Other concerts in this Series (+)

Programme Note

The German soprano enjoys a high-flying career in the world’s major opera houses, with recent appearances in the title-role of Donizetti’s Anna Bolena in Vienna and as the Countess in Strauss’s Capriccio in Munich. For this unusual programme she is joined by the eminent French harpist, ‘a virtuoso of the highest order,’ as Gramophone has put it, ‘profoundly musical and capable of realising a remarkable range of nuance.’

Diana Damrau

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