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Elizabeth Jordan, clarinet
with Northern Chamber Orchestra
Part of the Macclesfield Concert Season 2019-20
Add to my Calendar 05-10-2019 19:30 05-10-2019 21:30 36 Elizabeth Jordan, clarinet We begin our season showcasing many of our excellent principal players. Elizabeth Jordan gives us her fine interpretation of Mozart’s gorgeous Clarinet Concerto on the basset clarinet, for which the piece was originally written. Vaughan Williams’ much-loved Lark Ascending finds Artistic Director Nicholas Ward evoking a nostalgic scene of the English countryside. Listening to Sibelius’ wonderfully atmospheric Rakastava, it is hard to imagine that he originally composed this for unaccompanied male chorus. Haydn’s Symphony no 6 nicknamed ‘Le Matin’, opens with a picture of the sun rising. It is the first of three symphonies that are characterised by unusual virtuoso writing across the orchestral ensemble, most notably the double bass. Heritage Centre, Macclesfield DD/MM/YYYYDetails
Heritage Centre
Roe Street
Macclesfield
SK11 6UT
England
Programme
Jean Sibelius – Rakastava, Op.14
Wolfgang Amadeus Mozart – Clarinet Concerto in A major, K.622
Ralph Vaughan Williams – The Lark Ascending
Joseph Haydn – Symphony no.6 in D major 'Le Matin', Hob.I:6
Performers
Elizabeth Jordan – basset clarinet
Nicholas Ward – Director
Northern Chamber Orchestra
Other concerts in this Series (+)
Programme Note
We begin our season showcasing many of our excellent principal players. Elizabeth Jordan gives us her fine interpretation of Mozart’s gorgeous Clarinet Concerto on the basset clarinet, for which the piece was originally written. Vaughan Williams’ much-loved Lark Ascending finds Artistic Director Nicholas Ward evoking a nostalgic scene of the English countryside. Listening to Sibelius’ wonderfully atmospheric Rakastava, it is hard to imagine that he originally composed this for unaccompanied male chorus. Haydn’s Symphony no 6 nicknamed ‘Le Matin’, opens with a picture of the sun rising. It is the first of three symphonies that are characterised by unusual virtuoso writing across the orchestral ensemble, most notably the double bass.
