Rose Consort of Viols
‘Now with Silver Song they come’ Music from Elizabethan Choirboy Plays
Part of the York Early Music Festival
Add to my Calendar 09-07-2016 17:00 09-07-2016 19:00 36 Rose Consort of Viols Rose Consort of Viols Ibrahim Aziz, John Bryan, Alison Crum,Andrew Kerr, Roy Marks violswith Caroline Trevor altoLouis Sharpe treble ‘Now with Silver Song they come’Music from Elizabethan Choirboy Plays Throughout the Tudor period troupes of choirboys from the Chapel Royal, St Paul’s Cathedral and other institutions entertained both in private and in public theatres. They acted, sang and played instruments, and were so popular that they threatened to outshine even Shakespeare’s own company. Join us for a selection of these Elizabethan playsongs. They are joined by the Rose Consort of Viols, who perform dances and fantasias that the choirboyconsorts used to enhance their plays. “..there are no finer executants - such is their rapport with one another, and their empathy with the music”Early Music Review St Olave's Church, York DD/MM/YYYYDetails
St Olave's Church
Marygate
Marygate
York
YO30 7BZ
England
Programme
Anonymous – Elizabethan Songs
Performers
Ibrahim Aziz – viol
John Bryan – viol
Alison Crum – viol
Andrew Kerr – viol
Roy Marks – viol
Caroline Trevor – Alto
Louis Sharpe – treble
Rose Consort of Viols
Other concerts in this Series (+)
Programme Note
Rose Consort of Viols
Ibrahim Aziz, John Bryan, Alison Crum,
Andrew Kerr, Roy Marks viols
with Caroline Trevor alto
Louis Sharpe treble
‘Now with Silver Song they come’
Music from Elizabethan Choirboy Plays
Throughout the Tudor period troupes of choirboys from the Chapel Royal, St Paul’s Cathedral and other institutions entertained both in private and in public theatres. They acted, sang and played instruments, and were so popular that they threatened to outshine even Shakespeare’s own company. Join us for a selection of these Elizabethan playsongs. They are joined by the Rose Consort of Viols, who perform dances and fantasias that the choirboy
consorts used to enhance their plays.
“..there are no finer executants - such is their rapport with one another, and their empathy with the music”
Early Music Review