Please note: This concert is in the past and has already taken place.

Brandenburg Concertos by Candlelight

with the London Concertante

Part of the London Concertante by Candlelight 2018 Series

Add to my Calendar 09-03-2018 19:30 09-03-2018 21:30 36 Brandenburg Concertos by Candlelight Join one of Europe’s finest Chamber ensembles on their Bach’s Brandenburg Concertos UK Tour as they travel the length and breadth of the country performing two hallmarks of the Baroque era: J. S. Bach’s Brandenburg Concertos no. 4 & 5. London Concertante was founded in 1991 and has gone on to garner an outstanding international reputation. Alongside regular series of concerts at St. Martin-in-the-Fields and Southwark Cathedral, the ensemble also performs across the length and breadth of the UK. International tours have taken them to the USA, Spain, France, Germany, the Netherlands, Ireland, Finland, and they will be touring to Italy and again to Spain later in the year. Their numerous recordings receive regular airplay on global radio stations, and has helped to secure their position at the forefront of Classical performers in the UK. The Brandenburg Concertos are iconic works for their groundbreaking use of instrument combinations and musical development that ultimately changed the course of music history.  While Brandenburg Concerto No. 4 features bursts of dazzling technical difficulty from the violinist, Brandenburg Concert No.5 has often been referred to as the first harpsichord concerto ever written, with a particularly exciting and immensely virtuosic passage that requires the most gifted of performers to master.  Accompanied by a favourite of performers and audiences alike, Vivaldi’s “La Follia” features variations on the well-known 17th Century melody that translates in English as, ‘the madness’.  The piece rises and falls in intensity throughout with the variations running the gamut of emotions with changes in speed and mood along the way.  The other two pieces in the evenings programme present the contrasting characters of Mozart, with the enigmatic and playful outer movements of the Divertimento in D and a more introvert, wistful flute melody in the middle movement of the Flute Quartet with an inspired accompaniment of plucked strings. If you don’t consider yourself ‘in the know’ about Mozart, Beethoven, or Bach, fear not, this is the orchestra for you. The London Concertante boasts a remarkable audience record in which an impressive 50% of spectators are first time classical concert goers! The London Concertante has its audience laughing at jokes, gasping at virtuosity, moved by gorgeous string playing, and leaving with a smile on their faces. “Beautiful music. Amazing experience.” – A happy audience member! (March 2017)“beautiful... [the] experience was fantastic... simply magical.” – Another happy audience member! (September 2017)“They play with tone as soft as velvet, bow strokes that really sing and a Romanticist's wide volume range” – Evening Standard St Martin-in-the-Fields, London DD/MM/YYYY

Details

St Martin-in-the-Fields
Trafalgar Square
Westminster

London
WC2N 4JJ
England


Programme

Johann Sebastian BachBrandenburg Concerto no.4 in G major, BWV 1049
Antonio VivaldiTrio Sonata no.12 in D minor 'La Follia', RV 63
Wolfgang Amadeus MozartDivertimento in D major, K.136/125a
Wolfgang Amadeus MozartFlute Quartet in D major, K.285
Johann Sebastian BachBrandenburg Concerto no.5 in D major, BWV 1050

Performers

London Concertante

Other concerts in this Series (+)

Programme Note

Join one of Europe’s finest Chamber ensembles on their Bach’s Brandenburg Concertos UK Tour as they travel the length and breadth of the country performing two hallmarks of the Baroque era: J. S. Bach’s Brandenburg Concertos no. 4 & 5.

London Concertante was founded in 1991 and has gone on to garner an outstanding international reputation. Alongside regular series of concerts at St. Martin-in-the-Fields and Southwark Cathedral, the ensemble also performs across the length and breadth of the UK. International tours have taken them to the USA, Spain, France, Germany, the Netherlands, Ireland, Finland, and they will be touring to Italy and again to Spain later in the year. Their numerous recordings receive regular airplay on global radio stations, and has helped to secure their position at the forefront of Classical performers in the UK.

The Brandenburg Concertos are iconic works for their groundbreaking use of instrument combinations and musical development that ultimately changed the course of music history.  While Brandenburg Concerto No. 4 features bursts of dazzling technical difficulty from the violinist, Brandenburg Concert No.5 has often been referred to as the first harpsichord concerto ever written, with a particularly exciting and immensely virtuosic passage that requires the most gifted of performers to master.  Accompanied by a favourite of performers and audiences alike, Vivaldi’s “La Follia” features variations on the well-known 17th Century melody that translates in English as, ‘the madness’.  The piece rises and falls in intensity throughout with the variations running the gamut of emotions with changes in speed and mood along the way.  The other two pieces in the evenings programme present the contrasting characters of Mozart, with the enigmatic and playful outer movements of the Divertimento in D and a more introvert, wistful flute melody in the middle movement of the Flute Quartet with an inspired accompaniment of plucked strings.

If you don’t consider yourself ‘in the know’ about Mozart, Beethoven, or Bach, fear not, this is the orchestra for you. The London Concertante boasts a remarkable audience record in which an impressive 50% of spectators are first time classical concert goers! The London Concertante has its audience laughing at jokes, gasping at virtuosity, moved by gorgeous string playing, and leaving with a smile on their faces.

“Beautiful music. Amazing experience.” 
– A happy audience member! (March 2017)

“beautiful... [the] experience was fantastic... simply magical.”
– Another happy audience member! (September 2017)

“They play with tone as soft as velvet, bow strokes that really sing and a Romanticist's wide volume range”
– Evening Standard

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