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Mark Padmore, Till Fellner: Schubert Late Masterpieces

Evening

Part of the Oxford Lieder Festival 2022

Add to my Calendar 22-10-2022 19:45 22-10-2022 21:45 36 Mark Padmore, Till Fellner: Schubert Late Masterpieces This is the last of Mark Padmore’s performances as our 2022 Artist in Residence, before he leads the Mastercourse through the Festival’s second week. For this unmissable all-Schubert recital, he is joined by the distinguished Austrian pianist Till Fellner, who plays with ‘natural ease, eloquence and impeccable artistry’ (The Times). They focus on Schubert’s settings of Karl Gottfried von Leitner and Johann Gabriel Seidl, two poets encountered by the composer towards the end of his life and at the height of his powers. These settings date from 1826 until Schubert’s death in 1828 and although they are not grouped as cycles – and thus enter the concert hall less frequently than Winterreise or Schwanengesang– they are among the most profound and masterful of his great oeuvre. For more information, or to purchase tickets, please visit our website. SJE Arts - St John the Evangelist Church, Oxford DD/MM/YYYY

Details

SJE Arts - St John the Evangelist Church
109A Iffley Road
Oxford
Oxfordshire
OX4 1EH
England

Programme

Franz Schubert – Das Zügenglöcklein, D.871
Franz Schubert – Vor meiner Wiege, D.927
Franz Schubert – Sehnsucht, D.879

Performers

Mark Padmore – tenor
 Till Fellner – piano
 Emma Roberts – mezzo-soprano
 Lucy Colquhorn – piano

Other concerts in this Series (+)

Programme Note

This is the last of Mark Padmore’s performances as our 2022 Artist in Residence, before he leads the Mastercourse through the Festival’s second week. For this unmissable all-Schubert recital, he is joined by the distinguished Austrian pianist Till Fellner, who plays with ‘natural ease, eloquence and impeccable artistry’ (The Times). They focus on Schubert’s settings of Karl Gottfried von Leitner and Johann Gabriel Seidl, two poets encountered by the composer towards the end of his life and at the height of his powers. These settings date from 1826 until Schubert’s death in 1828 and although they are not grouped as cycles – and thus enter the concert hall less frequently than Winterreise or Schwanengesang– they are among the most profound and masterful of his great oeuvre.

For more information, or to purchase tickets, please visit our website.

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