Please note: This concert is in the past and has already taken place.

Joseph Houston

Trumpets of the Eternal

Part of the York Concerts 2022/23 Series

Add to my Calendar 27-01-2023 19:30 27-01-2023 21:30 36 Joseph Houston Trumpets of the Eternal Opening with Rădulescu’s ritualistic Fourth Piano Sonata (‘like a well ... older than God’), this programme immerses the listener in the resonant capabilities of the piano. In Chiyoko Szlavnics’ Constellations I-III, this resonance is accompanied by sinewaves, creating the illusion of the piano playing glissandi while altering the listener’s perception of the instrument’s resonance. A kaleidoscope of sound is then opened up in York-based composer Thomas Simaku’s Catena I; alternating between glacial stillness and fevered motion, highly virtuosic gestures finally build to the work’s furious climax. And drawing the programme to a close is Catherine Lamb’s Prisma Interius II in which the boundaries between inner and outer worlds become blurred; microphones are placed outside the performance space and these live sounds are filtered to create ethereal and beautiful rationally-tuned melodies and harmonies. Joseph Houston is a British pianist based in Berlin. His performance practice encompasses a range of music, including contemporary and experimental music, late nineteenth- and early twentieth-century piano music, music for synthesizers as well as his own compositions. ‘Houston is emerging as an expert interpreter of experimental music’ (The Observer) Sir Jack Lyons Concert Hall, York DD/MM/YYYY

Details

Sir Jack Lyons Concert Hall
University of York
York
YO10 5DD
England


Programme

Horațiu RădulescuPiano Sonata No. 4
Chiyoko SzlavnicsConstellations I-III (for piano and sinewaves)
Aleksandr ScriabinDeux Danses, op.73
Thomas SimakuCatena I (UK Premiere)
Catherine LambPrisma Interius II (for secondary rainbow synthesizer)

Performers

Joseph Houston – piano

Other concerts in this Series (+)

Programme Note

Trumpets of the Eternal

Opening with Rădulescu’s ritualistic Fourth Piano Sonata (‘like a well ... older than God’), this programme immerses the listener in the resonant capabilities of the piano. In Chiyoko Szlavnics’ Constellations I-III, this resonance is accompanied by sinewaves, creating the illusion of the piano playing glissandi while altering the listener’s perception of the instrument’s resonance. A kaleidoscope of sound is then opened up in York-based composer Thomas Simaku’s Catena I; alternating between glacial stillness and fevered motion, highly virtuosic gestures finally build to the work’s furious climax. And drawing the programme to a close is Catherine Lamb’s Prisma Interius II in which the boundaries between inner and outer worlds become blurred; microphones are placed outside the performance space and these live sounds are filtered to create ethereal and beautiful rationally-tuned melodies and harmonies.

Joseph Houston is a British pianist based in Berlin. His performance practice encompasses a range of music, including contemporary and experimental music, late nineteenth- and early twentieth-century piano music, music for synthesizers as well as his own compositions.

‘Houston is emerging as an expert interpreter of experimental music’ (The Observer)

Joseph Houston playing the piano

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