Please note: This concert is in the past and has already taken place.

Details

St Paul's Church (Actors' Church)
Bedford Street
Covent Garden
London
WC2E 9ED
England

Programme

Heinrich Schütz – Herr, unser Herrscher, SWV 449
Heinrich Schütz – Passion Motet Cycle
Johann Sebastian Bach – Kyrie in F major, BWV 233a
Johann Sebastian Bach – Fürchte dich nicht, ich bin bei dir (motet), BWV 228
Johann Sebastian Bach – Jesu, meine Freude (motet), BWV 227
Orlande de Lassus – Musica Dei donum optimi
Orlande de Lassus – Ave verum corpus
Orlande de Lassus – Laetentur coeli
Johann Sebastian Bach – Lobet den Herrn, alle Heiden (motet), BWV 230

Performers

David Hansell – Conductor
Tatty Theo – cello
Jan Zahourek – double bass
Carolyn Gibley – organ

Ripieno Choir

Other concerts in this Series (+)

Handel's Messiah by candlelight

Ceremony of Carols by candlelight

Brahms Requiem

AnthemFest

Allegri Miserere

Allegri Miserere by candlelight

Poulenc and Fauré

Will Todd: Jazz Missa Brevis

Fauré Requiem by candlelight

Allegri Miserere by candlelight

Spem in alium

Tallis Lamentations; Allegri Miserere

Brahms Requiem

Angelic Voices

Howells and the Tudors

Vespers by candlelight

Brandenburg Sunday Series

Brahms Requiem by candlelight

Choirs at Work

Mozart Requiem

Masterpieces of the Renaissance

Northern Lights

Allegri Miserere

Tallis Lamentations

A Festival of Female Voices

Brief Encounters with Addison Jazz

Byrd Mass for four voices

Adiemus; Land of My Fathers

Fauré Requiem by candlelight

Spem in alium by candlelight

Allegri Miserere by candlelight

Brandenburg Sunday Series: Alle Choir

Cantate Domino

Fauré Requiem

From Bach to Betjeman

A Patchwork Requiem

Programme Note

The Brandenburg Choral Festival of London welcomes period specialists The Ripieno Choir to the 2018 Spring Series. David Hansell conducts as they explore the music of three of Germany's most important composers at court, Lassus in Munich, Schütz in Dresden, and of course, J.S. Bach, who served at Weimar, Cöthen and Leipzig. The works chosen demonstrate Lassus's florid six-part polyphony, Schütz's flair for the dramatic, and Bach's mastery of chromaticism and counterpoint, especially in the jubilant Lobet den Herrn, one of his most famous and notoriously difficult choral works. Join us for this programme of vocal fireworks with accompaniment on period instruments.

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