Proms Saturday Matinee 3: Alina Ibragimova and Apollo’s Fire
Part of the Proms 2015 Series
Add to my Calendar 15-08-2015 15:00 15-08-2015 17:00 36 Proms Saturday Matinee 3: Alina Ibragimova and Apollo’s Fire Apollo’s Fire - otherwise known as the Cleveland Baroque Orchestra - has been a lively force in early music for over 20 years. Now, under director Jeanette Sorrell, this quirky, energetic band makes its BBC Proms debut in the second of this season’s early music Proms Saturday Matinees. The ensemble is joined by violinist Alina Ibragimova, soloist in much-loved concertos by Bach and Vivaldi. Bach’s Brandenburg Concerto No. 5, with its brilliant writing for harpsichord and its bittersweet slow movement, and music from Telemann’s vividly colourful suite following the adventures of Cervantes’s knight-errant Don Quixote, complete the mix. There will be no interval Cadogan Hall, London DD/MM/YYYYDetails
Cadogan Hall
5 Sloane Terrace
London
SW1X 9DQ
England
Programme
Carl Philipp Emanuel Bach – Symphony in B minor 'Hamburg', H.661 Wq.182/5
Antonio Vivaldi – Violin Concerto in D major, RV 234 'L'inquietudine'
Georg Philipp Telemann – Ouverture-Suite 'Burlesque de Quixotte', TWV 55:G10
Johann Sebastian Bach – Violin Concerto in E Major, BWV 1042
Johann Sebastian Bach – Brandenburg Concerto no.5 in D major, BWV 1050
Performers
Jeannette Sorrell – harpsichord / director
Alina Ibragimova – Violin
Apollo's Fire
Other concerts in this Series (+)
Programme Note
Apollo’s Fire - otherwise known as the Cleveland Baroque Orchestra - has been a lively force in early music for over 20 years. Now, under director Jeanette Sorrell, this quirky, energetic band makes its BBC Proms debut in the second of this season’s early music Proms Saturday Matinees. The ensemble is joined by violinist Alina Ibragimova, soloist in much-loved concertos by Bach and Vivaldi. Bach’s Brandenburg Concerto No. 5, with its brilliant writing for harpsichord and its bittersweet slow movement, and music from Telemann’s vividly colourful suite following the adventures of Cervantes’s knight-errant Don Quixote, complete the mix.
There will be no interval